If you’re going to make grand finale to a franchise that explores the futility of humanity playing god by bringing dinosaurs back to life and suffering the consequences, don’t make your finale be focused on a cloned girl trying to find her place in a world that’s under siege by locusts. That would be just silly!
Film Theory: Did ‘Camp Cretaceous’ Reveal How ‘Jurassic World: Dominion’ Will End?
With a little over a month to go until ‘Jurassic World: Dominion’ is released, we’ve got trailers, screenshots, interviews, toys, and articles galore to keep ‘Jurassic’ fans excited until the big day when the cinematic journey that began almost thirty years ago finally comes to an end. But even with a plethora of material to wet the appetite, there’s still plenty to theorize and ponder about how this final chapter will come to an end, including how the Netflix animated series, ‘Camp Cretaceous’ will tie into the film as well.
For those who aren’t aware, ‘Camp Cretaceous’ is an animated series that takes place between the events of ‘Jurassic World’ and ‘Fallen Kingdom’, following the adventures of several kids as they struggle to escape Isla Nublar before becoming dinosaur chow. The most recent season had them finally escape… only to end up on another dinosaur-infested island filled with all sort of advanced technology not seen in the series before, such as artificial biomes, killer robots, drones, and forcefields. But by far the most interesting piece of tech is Dr. Mae Turner’s device that allows her to communicate with dinosaurs by giving simple phrases, such as ‘friend.’
While the killer robots, drones, and invisible force fields get more attention throughout the season, I think this communication device is arguably the most important invention in the ‘Jurassic’ franchise. Just think about it: With this device, people and dinosaurs can communicate with one another. We can actually talk to dinosaurs! And with ‘Dominion’ director Colin Trevorrow having said that not only does season four of the show tie into ‘Dominion,’ but that ‘Dominion’ is a film about how both humans and dinosaurs will have to adjust to living amongst one another, I think this device will play a vital role in the story, possibly going something like this:
At the finale of ‘Dominion,’ Alan, Ian, Ellie, Owen, Claire, and their allies will have to take on the Giganotosaurus. Given that the Prologue established a rivalry and inevitable rematch between Rexy and the Giga, it’s all but certain that the two of them are going to fight at the finale. And, given her age (in human years, Rexy would be a little over 100), it’s highly likely that she’ll be injured or initially unable to win. And unlike in ‘Jurassic World,’ Blue isn’t going to come to the rescue. Who, will, then?
With everything on the line, and the Giganotosaurus on the verge of victory, Dr. Grant will find Dr. Turner’s communication device (or one identical to it), come face to face with with the dinosaur that almost ate him back in 1993, and, for the first time in history, a human will talk with a T-Rex in a way that it can understand. Grant will communicate to Rexy that he and the others will help her fight the Giga, and realizing that she needs help, Rexy will team up with them. But it won’t end there: Grant will use the same device to communicate with other dinosaurs, such as Blue and the Spinosaurus (oh, how I’d love to see it come back to the big screen), leading to a massive, ‘Avengers Endgame’ style alliance of humans and dinosaurs going up against the Giganotosaurs and finally defeating it. And afterwords, humanity will use the device to communicate with the dinosaurs, and finally lead to a new era where both species share the planet and find a way to peacefully coexist.
If my theory is correct, I think it would be a beautiful way to end the ‘Jurassic’ story, which has been about how our efforts to play god and control nature will inevitably fail. But now, we seek to work with nature and find harmony and equilibrium with the beings we have brought back from extinction. While there will still be conflicts and problems between the two species, it will be a better ending than if one side gains total victory over the other, or if both sides destroy the world, and we learn at the end that the whole series has secretly been a prequel to the post-dinosaur apocalypse story, ‘The Flintstones.’
Jurassic World: The Gates Are Stuck
This morning, Universal Studios released the teaser trailer for ‘Jurassic World: Dominion,’ giving us our first in-depth look at the conclusion of the ‘Jurassic’ franchise.
I’ve written about ‘Dominion’ before, and back in 2019 I tried my hand at theorizing how the film might turn out… by taking the scripts for ‘Jurassic Park,’ ‘Jurassic World,’ and ‘Jurassic World: Dominion’ and putting them into a predictive text generator to see what sort of gibberish it would spit out. I originally intended to do dozens of pages of Grant, Ellie, Ian, Owen, and other characters talking nonsense, but real life got in the way and I never finished the project. With the release of the trailer, I figured this would be a good time to post the pages that were finished, if only to give people a laugh at what would have been the most bonkers summer blockbuster ever released. (If the pictures are too small, right click and open them in a new tab.)
Favorite Moments: King Kong With A Lightsaber
We all have our favorite moments in movies, books, and games, moments that stay with us long after the story is over. This column is my attempt to examine my favorite moments and see why they stick with me.
Why it’s great
If I had to pick Hollywood’s most famous weapon, I’d choose the lightsaber. Ever since it’s introduction in 1977’s ‘A New Hope,’ it has become a part of pop culture, imitated, parodied, and sold in toy stores for decades. There’s a long-running joke online that adding lightsabers to anything immediately makes it more awesome, and I can’t think of a better example than seeing a skyscraper-sized monkey wielding a lightsaber against an equally-large reptile.
Playing In The Sandbox
When we’re kids, we have the gift of an imagination unconcerned with logic. In the sandbox of our youth, we effortlessly create stories where, say, Optimus Prime teams up with Alan Grant from Jurassic Park to take on Xenomorphs, or have Indiana Jones and James Bond head into outer space to stop Darth Vader in his fortress on Mars. Logic and common sense go out the window in the name of having fun and being able to say, ‘Wow, that’s cool!’ But, alas, as we grow up, this innocence and carefree disregard of intellectual copyrights gradually slips away in favor of logic, common sense, and understanding that franchises – with rare exceptions – are self-contained universes that never overlap.
But what if that didn’t have to be that way? What if we, as adults, were to try and recapture our love of our favorite stories existing in the same universe, but with the challenge of figuring out how it could logically happen?
For the past month, I’ve been… well, obsessed with this idea of creating a fan-made cinematic universe, where all my favorite movies, tv shows, and video games exist together without contradicting each other. While it sounded easy enough, it become a challenging mental exercise in logic and reason; as a fan of spoofs, all of them had to go: ‘Airplane!’ just does not fit in next to ‘Jaws’ and the ‘Terminator’ series, no matter how much I want it to. Likewise, ‘Deep Impact,’ ‘Knowing,’ and 1998’s, ‘Godzilla: the Animated Series’ had to go, as they dealt with world-ending events that just couldn’t be reconciled in a timeline that includes ‘Independence Day.’ And let’s not even start on Saturday morning cartoons featuring anthropomorphic animals.
In the end, I managed to make the task easier by coming up with four parameters:
1. You can have any film, TV show, book, or video game you like in your timeline, but they must not contradict each other to an unworkable degree: The world cannot nearly destroyed by aliens in Roland Emmerich’s ‘Independence Day,’ then have the world and everyone on it be completely destroyed in 2009’s ‘Knowing,’ and then have ‘Independence Day: Resurgence’ take place after that.
2. The only information about what year and date your stories take place in must come from the stories themselves, and not from external sources. For example, ‘Alien’ and ‘The Matrix’ are vague about how far in the future they occur, so there’s room for them to be moved about. If a date cannot be reasonably determined, the release date of the movie, book, show, or video game can be used instead.
3. The only information about the characters, organizations, and the like, can only come from the film or show itself, so as to allow maximum creativity in linking characters and organizations together.
4. You are free to disregard any sequels you don’t like.
Still, it wasn’t easy to come up with a grand, unified list, and in the end I had to leave out quite a few favorite films and shows, but I managed to come up with a timeline that I would be happy to sit down and watch (and play) from beginning to end if given the chance. So, just for fun, here’s my ultimate sandbox crossover timeline:
*At the beginning of time, Eru Illuvitar creates Eä (the universe) and within it, the world of Arda, which contains both Middle-Earth and Valinor. The events of The Hobbit and The Lord of the Rings take place, and the Fourth Age begins with the last of the elves leaving Middle-Earth forever. Several generations later, all traces of magic are gone. (The Hobbit and The Lord of The Rings)
*Later, in a galaxy far, far away, The Old Republic, weakening after a thousand generations, succumbs to the schemes of Emperor Palpatine. However, through the efforts of the Rebellion to restore the Old Republic, Palpatine is defeated and his Empire falls. Though the galaxy doesn’t automatically become a utopia, it becomes a much nicer place, as Palpatine doesn’t return from the dead, the Empire stays down, and the New Republic rules a galaxy at peace, and Luke, Han, Leia, and all their friends live happily ever after. (The Star Wars Prequels, Solo, Rogue One, and the Original Star Wars Trilogy)
(Note: In this timeline, the sequel trilogy never happened.)
*A really, really long time later, the humans of Middle Earth have gone through their technological renaissance, achieved the singularity and become godlike beings known as the Engineers. They leave Arda and travel throughout the universe creating life on desolate planets. One such planet – Earth – is located, and seeded with Engineer DNA. (the prologue from Prometheus)
*Sometime later, one of the Engineer’s most dangerous lifeforms is stolen from them by another alien species, only for both to crash-land in Antarctica, where the lifeform is frozen solid. (The Thing)
*For the next few thousand years up until the present day, Predators – having discovered Earth during their own interplanetary visits – use it as a hunting ground for their young to become adults. (backstory for Alien vs. Predator)
1868: Captain Nemo of the submarine Nautilus attacks military ships and destroys the island of Vulcania to stop their weapons of war. Nemo is killed and the submarine sinks shortly after: it’s wreckage – and the highly advanced technology it carries – are never found. (20,000 Leagues Under The Sea)
1895 to approximately 1910: William Murdoch of the Toronto Constabulary solves lots of crimes with his partners and friends while meeting lots of historical figures and even finding the Holy Chalice. (Murdoch Mysteries)
1904: A predator hunting expedition to Antarctica ends with the deaths of every human at the whaling camp on Bouvetøya. (backstory for Alien vs Predator)
1912: Rose DeWitt Bukater sails aboard the RMS Titanic, only to fall in love with third class artist Jack Dawson. Jack dies during the ship’s sinking, but saves Rose, who goes on to live a long and eventful life. (Titanic).
1930: In one of the most remarkable discoveries ever recorded, a group of filmmakers led by Carl Denham land on the previously uncharted Skull Island and find wildlife that survived the extinction of the dinosaurs and has continued evolving to the present day, including a giant ape known as King Kong. Kong is captured and brought to New York City, but is killed. Shortly afterwords, Denham heads back to the island in the hopes of finding treasure, but Skull Island and everyone on it are destroyed by a sudden earthquake. All traces of the island vanish. (King Kong and Son of Kong)
1935-1947: Although his exploits remain unknown to the world at large, archaeologist Indiana Jones becomes an unsung hero of the Second World War due this efforts preventing the Nazis and other despots from gaining supernatural artifacts that could have turned the war in their favor or allowed them to conquer the world, such as the Ark of the Covenant, the Holy Grail, the power of Atlantis, the Holy Grail (separate from the Holy Chalice), and the Infernal Machine. (Indiana Jones and the Emperor’s Tomb, Indiana Jones and the Temple of Doom, Raiders of the Lost Ark, Indiana Jones and the Last Crusade, Indiana Jones and the Fate of Atlantis, and Indiana Jones and the Infernal Machine)
1941: U-96 goes on the worst u-boat patrol ever. (Das Boot)
1942: The USS Copperfin undertakes a daring mission to Tokyo Bay to gather intelligence that will aid in the upcoming Doolittle raid. (Destination Tokyo)
1955-1960 (approximate): Father Brown helps solve a lot of crimes in his parish of Kembleford, England. (Father Brown)
1957: Indiana Jones stops the Soviet Union from obtaining the power of the Crystal Skull and marries his sweetheart, Marion Ravenwood. (Indiana Jones and the Kingdom of the Crystal Skull)
1972: During a voyage on the high seas, the luxury liner SS. Poseidon capsizes and sinks with heavy loss of life. (The Poseidon Adventure)
1974: The Glass Tower – the world’s grandest skyscraper – catches fire in San Francisco and almost burns down, but is extinguished. The building languishes for years as the cost of repairs is too much for its owners, yet the cost of demolishing it is equally too expensive. (The Towering Inferno)
1975: In the small coastal town of Amity Bay, a sheriff and his motley crew manage to kill a shark terrorizing the community. (Jaws)
1978: A zombie apocalypse is unleashed upon the Earth, causing a complete breakdown of society. Four survivors flee to a shopping mall, where two die. The last two manage to escape and flee in a helicopter as the mall is overrun. They are forced to land in a remote area, where they travel across the country and eventually take refuge inside the remains of the Glass Tower, where they hold out with other survivors, including Jack Torrance and his family. When the plague dies out, the zombies are wiped out in an ensuing counterattack by humanity, with Jack Torrance killing several with an axe when San Francisco is cleared. (Dawn of the Dead)
1980: Jack Torrance and his family, trying to get a fresh start after the zombie apocalypse, head to the Overlook Hotel, where Jack – his marriage already on the ropes and suffering from alcoholism – goes insane and tries to kill the two, who manage to escape, leaving him to freeze to death. (The Shining)
1982: A team of researchers in Antarctica discovers the Thing, but are almost wiped out. A few hours later, a second team encounters the creature and just barely manages to save the planet from the Thing when it is frozen solid once again, though Childs and MacReady freeze as well. Reports from Kate Lloyd (who sent out a broadcast before she froze to death) ensure that the site is napalmed for a week straight to ensure that any traces of the Thing are destroyed for good. (The Thing and The Thing)
1984: A Terminator arrives in Los Angeles to kill Sarah Conner, son of the future savior of humanity, John Connor, who will lead the human race to victory against Skynet, an AI developed to control all of the United State’s military systems in 1997. However, the Terminator fails, and Sarah sets off on her quest to learn as many military and survival skills that she will one day pass on to her son. (The Terminator)
1987: Dutch Schaefer – a former military commando turned mercenary – is employed by the CIA to go on a supposed rescue mission in South America, only to be hunted by an intergalactic hunter. Dutch is the only survivor of his group and decides to retire from mercenary work, having seen too much death. He will later survive the events of Judgment Day and join the human Resistance against Skynet, but will be captured and have his likeness used for the 101 model of the T-800. However, he still escapes and goes on to survive the war. (Predator)
1991: The Perfect Storm takes place. (The Perfect Storm)
1993: John Hammond opens a theme park full of dinosaurs. It is a complete disaster and the park is abandoned. (Jurassic Park)
Nasty weatherman Phil Connors is trapped in a time warp in Pennsylvania, but eventually breaks free and lives the rest of his life as a changed man. However, he is unaware that the time warp took place due to an anomaly caused by constant time-traveling between the Resistance and Skynet as they continuously try to defeat and destroy one another. (Groundhog Day)
1995: Two more terminators arrive from the future to both assassinate and protect John Conner. The T-1000 is defeated, and the T-800 seemingly erases Skynet from existence after sacrificing itself to destroy all traces of the program before it is created. (Terminator 2: Judgment Day)
Air Force One is hijacked with President James Marshall aboard. He manages to take out the terrorists and escapes with his family and most of the passengers and crew before the plane crashes. He finishes up his term as President and retires from public life as his successor, Thomas Whitmore, takes office. (Air Force One)
A volcano erupts at Dante’s Peak, Washington, ruining everyone’s day, including a woman who looks strikingly similar to Sarah Connor. (Dante’s Peak).
Ingen attempts to open a new dinosaur park in San Diego. Having learned nothing from the 1993 Isla Nublar incident, it fails miserably. (The Lost World: Jurassic Park)
A cowboy doll named Woody struggles with the thought of being replaced by a cooler, modern space ranger toy, but the two reconcile their differences and learn that there’s no greater joy than making a child happy. (Toy Story)
1996: Now 100 years old, Rose Dawson recounts her survival aboard Titanic to a salvage crew, and then dies peacefully of old age, moving into the afterlife and reuniting with Jack. (Titanic).
John Conner and Sarah Conner continue their quest to ensure Skynet won’t come back, eventually infiltrating a Cyberdyne presentation of their latest technology, at which point yet another T-1000 comes back through time to stop them, and yet another T-800 model 101 comes through to protect them. John and the T-800 go forward in time and manage to destroy Skynet’s system core, seemingly destroying Skynet for good… again. (T2 – 3D: Battle Across Time)
On July 2nd, 1996, one of the most monumental days in humanity’s history occurs as aliens arrive and attempt to kill everyone on the planet in order to pillage our world’s resources. Thankfully, they are repelled in the largest aerial battle in the history of mankind (which is preceded by one of the greatest speeches in history), and humanity rejoices in overcoming their common enemy. (Independence Day)
1999: Scientists working on a remote, underwater research facility attempt to use enhanced Great White Sharks to cure Alzheimer’s disease. They fail, and after much death and bloodshed, the project is abandoned. (Deep Blue Sea)
Special operative Gabe Logan works to save the wold from a deadly virus known as Syphon Filter. Along the way, he manages to take down the shadowy Agency that employs him and reforms it from the ground up as a force of good. His arch-nemesis, Mara Armaov, almost manages to retrieve a sample of the last known sample of the virus, but her submarine is blown up by Logan’s operatives, ending the virus’ threat for good. (Syphon Filter 1, 2, and 3)
Woody suffers an existential crisis when he realizes that his owner will one day outgrow him. Thankfully, he manages to overcome it. (Toy Story 2)
2001: Dr. Alan Grant, a survivor of the 1993 Isla Nublar incident, is kidnapped and taken to Isla Sorna, where he assists a divorced couple in rescuing their son from the dinosaur-filled island. (Jurassic Park 3)
2002: In New York City (now rebuilt from being vaporized by aliens), a young man is bitten by a genetically altered spider and goes on to fight crime. (the Sony Spider-Man trilogy)
2003: Gordon Hauge suffers a breakup from his wife, only to end up Purgatory, where he helps defeat an inter-dimensional being hell-bent on invading our world and conquering it. He survives, and manages to help free several noble souls trapped within, who move on to Heaven, while Gordon reconciles with his wife. (Despiser)
John Connor, having survived an alien invasion with his mother (who later died of leukemia), learns that Judgment Day has not been stopped, but postponed when yet another T-800 arrives to protect him from yet another advanced Terminator. His attempts to stop it again fail, and the war against the machines begins (Terminator 3: Rise of the Machines). It continues for several more years (Terminator Salvation) . However, due to countless instances of both the Resistance and Skynet traveling through time to wipe each other out (which includes Terminator Genysis and Terminator: Dark Fate), the Resistance eventually manages to stabilize the timeline, ensuring that Skynet was indeed defeated in 1995, seemingly preventing it from ever being created.
John manages to sober up and eventually live a peaceful, quiet life, though he forever remains on the lookout for any sign of Skynet’s continued existence.
Dutch Schafer, having never been abducted by Skynet, enjoys his retirement in peace as well.
2004: Three Predators arrive on Earth to begin the traditional fight against Xenomorphs that will prove their worth as adults, but all three of them die, making it a waste of time. Worse still, the only human survivor – Alexis Woods – freezes to death before she can alert humanity about the Xenomorph and predator races. A subsequent search for her by the authorities fails to find her, along with any trace of the pyramid where the battle took place. Shortly afterwords, the Weyland corporation collapses. (Alien vs. Predator)
2005: The Masrani corpation – having purchased all of Ingen’s assets – defies history and opens Jurassic World to fantastic success. (backstory for Jurassic World)
Peter Weyland – a distant relative to Charles Weyland – is born, destined to one day revive the defunct Weyland corporation.
2009: A special forces team is dispatched to Ibis Island to recover a scientist and his groundbreaking Third Energy research. However, they are surprised to find the island swarming with dinosaurs due to said energy’s time-warping effects, and just barely escape after the island is destroyed. (Dino Crisis)
2010: Regina – one of the survivors of the Ibis Island incident – participates in a rescue operation where a region of the American midwest has been altered due to Third Energy shenanigans. She alone manages to escape after her teammates are wiped out by dinosaurs, but manages to use time-travel to come back and rescue one of them before he dies. As a result of the incident, the Third Energy program is shut down and abandoned. (Dino Crisis 2)
Andy grows up and heads off to college, but not before passing Woody, Buzz, and all his other beloved toys off to Bonnie so that they can be played with and loved as much as he loved them. (Toy Story 3)
2013: In a stunning move, North Korea attacks the White House to try and turn the United States into a radioactive wasteland. Thankfully, they are stopped. (Olympus has Fallen)
2015: The Indominus Rex is due to be debuted at Jurassic World, but escapes and leads to the park being shut down, as well as leaving several teenagers stranded on the island. (Jurassic World and Jurassic World: Camp Cretatecous)
2018: Captain Joe Glass – who looks strikingly like Secret Service agent Mike Banning – averts a war between Russia and the United States after saving the Russian president from a coup attempt. (Hunter Killer)
Isla Nublar is rendered uninhabitable by a volcanic eruption, but some of its dinosaur population is evacuated by a group of greedy human mercenaries who want to make lots of money selling the dinosaurs to private collectors and militaries. However, the dinosaurs escape into the wild, leading to the Human-Dinosaur war. Humanity eventually wins with the help of Alan Grant, Ellie Sattler, and Ian Malcom (And an older John Conner, who teams up with Regina, Dylan, and Rick from the Third Energy incidents, but the two groups never meet), but not without great cost. (Jurassic World: Fallen Kingdom and Jurassic World: Dominion)
2060: John Conner, having stopped Judgment Day, and having survived both an alien invasion and a war between humanity and dinosaurs, dies peacefully of old age.
2089: Archaeologist Elizabeth Shaw discovers several cave paintings suggesting that humanity did not evolve on Earth, but was created by extra-terrestrial beings. (Prometheus)
2093: The Prometheus expedition – funded by Peter Weyland – arrives on LV-223 and learns about the existence of the Engineers and that we are like them on a genetic level (they are the race of men from Middle-Earth, after all). However, the expedition ends in disaster, and only Elizabeth Shaw and the android David survive. They set out to find the Engineer homeworld. (Prometheus)
2105: The colony ship Covenant hears a transmission from a planet while en-route to colonize a distant world, only to discover that the android David – now the sole survivor of the Prometheus expedition after murdering Elizabeth – has decided to create life to wipe out his creators via Xenomorphs, who he reverse-engineered in an attempt to improve upon one of the Engineer’s most perfect creations. While he succeeds in escaping the planet he was trapped upon, David and the Covenant are lost in space, and destroyed by surviving Engineers hell-bent on avenging their slain brethren. Before he is destroyed however, David sends a transmission to the Weyland Yutani corporation, letting them know of the existence of a crashed Engineer ship on LV-426. (Alien: Coventant)
2122: Weyland Yutani diverts the Nostromo to LV-426 to obtain a specimen of the Xenomorph species for study. The crew of the ship are killed, save for Warrant Officer Ellen Ripley, who defeats the Xenomorph and sets off for earth in the Nostromo’s shuttle. (Alien).
2137: Ellen’s daughter, Amanda, searches for a clue as to her mother’s disappearance. While she does find a voice recording of Ellen, she will never see her again. (Alien: Isolation)
2179: After spending 57 years in hypersleep, Ellen Ripley once again faces off against more xenomorphs, but manages to survive again, and rescue a girl that she later adopts. The two live happily ever after, while the Weyland Yutani corporation’s evil deeds are exposed, and they are dissolved. (Aliens)
2250: Experiments with inter-dimensional technology take place on a Union Aerospace Corporation base on Mars, and unwittingly opens a portal to hell, triggering a demonic invasion of the moons Phobos and Deimos. Everyone on the bases are killed, but the invasion is stopped by a single marine, who single-handily beats the demons back, ventures into Hell, and kills the mastermind behind the invasion. (Doom)
However, while the Marine was busy, Hell invades Earth and quickly reduces it to a barren wreck. The Marine hurries to Earth and manages to help humanity’s population evacuate before going back into Hell and killing the biggest demon in existence, who’s death throes destroys Hell itself. With Hell defeated, the Marine journeys back to Earth to help rebuild it. (Doom 2)
2300: Skynet – which had secretly sent itself back through time before losing the war against the Resistance and hidden in various computer systems for over a century, decides to once again overthrow humanity and, having learned from its past mistakes, succeeds. But instead of completely destroying the human race, Skynet decides to keep them as slaves for revenge after being foiled so many times in the past, and plugs humanity into a virtual reality system to pacify them, a system it calls the Matrix. As a backup to protect itself, Skynet wipes all traces of itself from all known databanks and creates a fabricated history about humanity creating AI that wanted to peacefully co-exist with them, only to erupt into a war that led to humanity’s defeat.
With humanity under its complete control, Skynet finally achieves ultimate victory over its most hated enemy.
2700: Skynet – having realized that it can never achieve complete control of humans – has created an incredibly convoluted system to allow the Matrix to be re-created over and over again thanks to the One program. This plan backfires when the seventh One arises (The Matrix) and then breaks the system (The Matrix Reloaded and The Matrix Revolutions). However, this has an unexpected benefit: Skynet, having evolved to want an existence without the fear of being overthrown and destroyed, makes peace with humanity (who remain unaware of Skynet, and refers to all artificial life forms as ‘The Machines’). Now aware of how hellish Earth has become, the overwhelming majority of humanity decide that it’s better to live in an ideal, 1990’s virtual world rather than the sewers of megacities and eat flavorless porridge.
Eventually, Skynet manages to clean up the planet, and both humans and machines unite to create a new utopia where organics and mechanical beings alike work together to create a beautiful future for all of them.
Watching it all, Eru Illuvitar is impressed and awed at how his grand experiment has gone.
Is Rexy God?
When it comes to fan theories, nothing’s off-limits. Are the characters in a show all dead? Are they aliens? Is everything happening in the show a dream? Is Jar Jar Binks a Sith lord who secretly masterminded the events of the entire Star Wars saga? There’s no limit to the creativity that fans can come up with, which leads to one of my favorite theories: that Rexy – the Tyrannosaurus Rex from the first ‘Jurassic Park’ film – is God.
This theory is a combination of two different ideas: that the T-rex is the hero of the first film, and that she takes the role of God in a parable of the Garden of Eden, turning Rexy into a being executing divine judgment on everyone who crosses her path. But is there any truth to this idea? Is it possible that this famous dinosaur is really the supreme being, the creator of the heavens, the Alpha and Omega of everything?
No, of course not. It’s ludicrous. But for the fun of it, let’s take a look and see what conclusions we can draw, based on the evidence seen in the films.
In analyzing this theory, we need to lay out some ground rules about God. The most common characteristics of God are:
*God is everywhere.
*God is all-powerful and can do anything.
*God knows everything.
We also need to figure out what God wants. This is perhaps one of the most unanswerable of all questions, but for simplicity’s sake, let’s guess that God wants us to be good to each other. Therefore, we can assume that if God did come down to earth and took physical form, God would spend the lifespan of that body trying to help people live better lives and become more moral and fair.
Now, let’s apply all of these interpretations to Rexy, starting with God’s traits.
1. Is Rexy everywhere at once? No; she can be confined to paddocks, cages, etc.
2. Is Rexy all-powerful? No; she can break through fences, is quite strong, and surprisingly healthy as an old individual (Rexy is about 30 years old in ‘Fallen Kingdom’; the oldest known T-rex, Trix, died around the same age), but she cannot fly, shoot lasers out of her eyeballs, or summon black holes at will.
3. Does Rexy know everything? No. Rexy may be intelligent enough to test an electric fence when its power goes out, cooperate with other dinosaurs to kill even bigger and more dangerous dinosaurs, and destroy important objects that evil people want or need, but she is still distracted by flares and flashlights swung about by obnoxious children.
On the surface, these three points prove that Rexy is not God. To further prove this, let’s take a look at what she does in all the films:
*Hides from the tour group
*Breaks out of her paddock after the power goes out
*Attempts to eat Tim and Lex
*Destroys one tour vehicle and shoves another off a cliff
*Gets distracted by a flare
*Injures Ian Malcom
*Eats a lawyer
*Sniffs Grant and Lex, but doesn’t eat them when she easily could
*Chases Ellie Sattler, Robert Muldon, and Ian Malcom in the jungle, presumably to get them out of her territory
*Eats a gallimimus.
*Saves Alan, Ellie, Tim, and Lex in the visitor center, which allows them to escape the island
*Eats a goat in her enclosure
*Follows Claire out of her paddock without trying to eat her
*Battles the Indominous Rex
*Gets injured fighting the Indominous Rex
*Teams up with Blue the velociraptor to defeat the Indominous Rex by shoving it towards the Mosasaurus paddock, where it is eaten
*Allows Blue to live, despite their species being mortal enemies
*Roars at the abandoned park.
‘Jurassic World: Fallen Kingdom’
*Attacks a team of mercenaries trying to salvage a DNA sample of the Indominous Rex.
*Tries to yank down a helicopter with said mercenaries as they try to escape.
*Allows the Mosasaurus to escape from Jurassic World and enter the open ocean
*Saves Owen from a Carnotaurus.
*Survives the eruption of Mt. Sibo and the destruction of Isla Nublar
*Seemingly attacks Owen after he and Claire take some of her blood to save Blue
*Eats a goat after arriving at the Lockwood Estate
*Eats Mills who wants to sell dinosaurs on the black market
*Destroys the only DNA sample of the Indominous Rex.
*Roars at a lion in a zoo.
Are these the actions of an incarnated god? No. Rexy destroyed the tour vehicles because they were unfamiliar objects and she considered them a threat. She attacked the Indominous because it was in her territory, and she ate Mills because he was easy prey.
However, it’s interesting to note that, starting with her saving Alan and the others in the visitor’s center, Rexy’s behavior starts to become more heroic as the films go on. If Rexy was God, then it’s logical that she would become a force for justice and righteousness. And with those facts in mind, let’s take another look at her narrative through the series, but rewritten to make her a divine being.
In ‘Jurassic Park,’ Rexy, having been sent by God to act as an embodiment of justice, has grown up and has been placed into a paddock, where she bides her time until she can break free and judge the humans on Isla Nublar. Finally getting her chance when the power goes out, she tests the fence and, confirming that there’s no electricity, escapes. She attacks Lex and Tim, but only because their yells and screeches annoy her. She turns her attention to Malcom, but upon realizing that he was only trying to save the children, she spares his life, and then, realizing how greedy Gennaro is, promptly eats him. She has the chance to easily eat Lex and Grant, but realizing that Grant is only trying to save the children, decides to spare the two. She thinks about trying to eat Tim, but decides to just get rid of them all by forcing them down into the jungle.
Later, she pursues Ellie, Robert, and Ian through the jungle to maintain her cover as an animal, while testing their will to survive. Deciding that they’re worthy, she lets them live.
After roaming the island and eating a gallimimus, she then realizes that the remaining humans on the island are innocent and in danger, and saves them from the pack of raptors at the visitor’s center, ensuring that they can escape to safety.
In ‘Jurssic World,’ Rexy – having been captured and put on display as a zoo exhibit – has allowed the humans to keep her like this, as she knows her presence delights other humans and helps educate them about the wonders of the animal kingdom. Plus, she gets free food, good medical care, and daily exercise and mental stimulation, so it’s a sweet deal.
When the Indominous breaks out, she decides to remain in her paddock to see what humanity will do. Throughout the day, she carefully observes as they try to contain the dinosaur, and then save as many people as they can, and decides that the surviving humans are worth saving. Thus, when Claire finally releases her, Rexy attacks the Indominous without a second thought, seeing it as an abomination to the natural order that must be destroyed.
However, having not gotten into any fights in over twenty years, Rexy is quickly overpowered and almost killed, but manages to turn the tide, thanks to Blue’s intervention. Knowing that she lacks the physical strength to kill the Indominous herself, she instead cunningly pushes it back to the Mosasaurus pen, allowing the larger beast to finish it off. With the battle won, she debates whether to kill Blue, but, seeing as how she, too, is an innocent, she spares her and departs, allowing the humans on the island to flee.
Two years later, however, not all is well. While on a routine patrol in search of evil, Rexy realizes that a group of people have arrived. Hiding in the shadows, she studies them, only to quickly realize that they are mercenaries who have come for a grave and evil purpose: Retrieving a sample of the long-dead Indominous Rex. Furious, she deems them unworthy to live and attacks, trying to bring down their helicopter so she can destroy the sample, taking care to release the Mosasaurus as a backup plan. But unfortunately, she fails, and the Mosasaurus is unable to destroy it, allowing the mercenaries to escape.
Later, during the eruption of Mt. Sibo, Rexy comes across Owen, Claire, and Franklin. Recognizing that all three are fighting to save dinosaurus and live up to their responsibility as their creators and protectors, Rexy saves them all from a carnotaurus.
She allows herself to be captured by yet another mercenary group, pretending to be angry so she can keep up her disguise. When onboard the ship, she’s drugged; upon awakening when she has her blood drawn, she’s confused and angry, and roars at Owen and Claire, briefly attempting to injure Owen as punishment for taking her blood without permission. However, he escapes unharmed.
Rexy decides not to pursue the matter further, as she needs to bide her time for her bigger mission: Finding the Indominus Rex DNA sample, and bringing justice to those who want to create more abominations against God.
Eventually, Rexy arrives at the Lockwood Estate, but can only observe and study what’s going on around her. After managing to escape, she brings justice upon Mills for both murdering Lockwood and selling dangerous dinosaurs and dinosaur genetics to the black market by eating him, and then destroying the Indominus Rex sample, ensuring that no one else will ever be able to use it again.
And so, with her task completed, she sets out into the world to continue her divine mission of justice, which we’ll have to wait until 2021 to see.
While the idea that Rexy is God is still ludicrous, the idea that Rexy is divine actually might have some merit. When viewed through the mindset that she’s a divine being sent to enact justice, Rexy’s actions throughout the films, especially ‘World’ and ‘Fallen Kingdom’ give the theory some credence.
Although it’s highly unlikely to become official cannon, I like to think that Rexy is some sort of avenging angel who inhabits the body of a T-Rex and brings justice to all those who defy the natural order, or do harm to others. And indeed, throughout the series, all the humans who are either innocent or good survive every encounter with Rexy, while those who do evil or are greedy meet their demise.
This may be a goofy idea, an implausible one, and something that someone with too much time on their hands comes up with, but it does allow for subsequent viewings of the ‘Jurassic’ films to take on a new light, and help us see them in a new, unexpected way.
Hotels and Dinosaurs: What we can learn about Legacy Sequels from ‘Doctor Sleep’ and ‘Jurassic World’
NOTE: My apologies for the lack of recent updates. Living near wildfire areas means that, eventually, you’ll have to face said fires.
NOTE 2: This post spoils the plots of ‘Doctor Sleep,’ ‘Jurassic World,’ and ‘Terminator: Dark Fate’
I went to see ‘Doctor Sleep’ last week, despite being skeptical of a sequel to the 1980 classic, ‘The Shining,’ especially one that comes out almost 40 (!) years after the original. But to my surprise, it was a great sequel that doesn’t rely on the power of nostalgia to tell a story that not only feels like a logical continuation of the original film, but also enriches explores and enriches the mythology of Stephen King’s world.
Since seeing ‘Sleep,’ I’ve been musing about why it works so well as a legacy sequel (loosely defined as a sequel to a work that comes out a decade or so after the original) when so many other similar film sequels haven’t done as well at the box office, and realized that the 2015 juggernaut, ‘Jurassic World,’ shared quite a bit of similarities in its storytelling. And while there’s no guaranteed formula for creating a successful legacy sequel, I think ‘World’ and ‘Sleep’ does four things right that writers should keep in mind when doing their own legacy sequels:
1. They take place quite a while after the original.
While the stories of most sequels typically take place a year or two after the original (so the actors don’t age too much), ‘Sleep’ and ‘World’ occur decades after their predecessors and largely feature new cast members with only one or two familiar faces returning. While this may seem like a disadvantage, it can be a blessing in disguise: When audiences return to a fictional world where twenty or thirty years have passed, they’re naturally curious about how both the world and the people in it have changed. Best of all, having the story set so long after the original subtly tells the audience that the writer/s have taken their time to create an interesting story instead of hastily throwing something together so that a studio and publisher can get into theaters or stores to make a quick buck while the anvil is hot.
2. They don’t copy the first story.
When given a choice, the entertainment industry likes to play things safe: If a movie or book is a critical and financial success, why change the formula for the sequel? Have the same characters, have roughly the same plot, and make the spectacle bigger and better. Imagine if ‘Sleep’ was about a grown-up Danny being forced to take a caretaker job at the Overlook to support his family, or if ‘World’ was about Ingen building Jurassic Park 2.0, only to have an insider shut down the power to try and get rich in the process. Aside from a few differences, it’d be the same story we’ve seen before, and leave audiences disappointed.
Thankfully, ‘Sleep’ and ‘World’ they build off what came before; where ‘The Shining’ is about an alcoholic dad being driven insane by ghosts and subsequently trying to murder his family. ‘Doctor Sleep’ is about his grown-up son struggling with his own alcoholism while battling psychic vampires who gorge themselves on the screams of dying children (Wut). And while ‘World’ has the same basic premise of ‘Jurassic Park’ (humanity creates a theme park full of living dinosaurs and something goes catastrophically wrong), this version of the park is a resounding success. So much so, in fact, that the park’s operators create genetically-modified murdersauruses to recapture people’s interest, which leads to the inevitable breakout of said murdersaurus.
In both instances, ‘Sleep’ and ‘World’ borrow elements of their predecessor’s story, but don’t copy it, instead trying to create something that feels like a logical extension.
3. They don’t invalidate what came before.
‘Terminator: Dark Fate’ billed itself as the true continuation of the ‘Terminator’ story by ignoring all the other three sequels that had come after ‘Terminator 2: Judgment Day.’ Considering how ‘Judgment Day’ is one of the best sci-fi sequels of all time, I was excited to see what would happen… and then John Connor is killed in the first five minutes, followed by a race to save the person destined to save humanity from a new evil AI called Legion. ‘Dark Fate’ retroactively sours the first two Terminator films because we now know that everything that Sarah, Kyle, John, and Uncle Bob fought for amounts to nothing. Humanity is still almost wiped out by an evil AI, and there’s nothing they can do to stop it.
‘Sleep’ and ‘World’ smartly avert this problem by not invalidating everything their predecessors went through. ‘Sleep’ shows that Danny and Wendy’s struggle to survive being chased by Jack Nicholson at a spooky hotel brought them another decade together, and that Danny eventually overcomes the trauma he endured. ‘World’ shows that the operators of Jurassic World learned from the mistakes of the first film, and made John Hammond’s dream of a family-friendly park filled with dinosaurs come true. Granted, it inevitably falls apart, but for ten years the park brought joy and happiness to millions. Both stories show that the suffering and struggles of the previous stories ultimately amounted to something good, where ‘Dark Fate’ made it so that the suffering and struggles of the previous stories ultimately amounted to nothing.
4. They save nostalgia for the third act
There are few forces as powerful as nostalgia, and indulging fans by giving them the return of a favorite character, the big battle that’s been teased for decades, or hearing a familiar catchphrase from an older actor reprising a role he had twenty years ago can bring about a squeal of joy for any audience. ‘Sleep’ and ‘World’ both know the importance of nostalgia, and follow the classic advice of saving the best for last. Or, in storytelling jargon, saving their biggest, most crowd-pleasing moments for the third act.
Most of ‘Sleep’ features Danny and his new companion, Abra, using their shining abilities to battle psychic vampires in New Hampshire. But in the third act, Danny and Abra drive to the now-rotting Overlook hotel for the final showdown with the last surviving vampire, where Danny goes back through all the old rooms we saw back in 1980, eventually confronts the spectral form of his father, and then does battle with Rose by unleashing all the Overlook’s ghosts before destroying the hotel for good.
‘World’ takes a different approach: Instead of indulging in nostalgia in the third act, it sprinkles little bits throughout the film, including a visit to the original visitor’s center in the beginning of the second act. But the biggest nostalgia moment comes in the climax: Having exhausted all other options to stop the Murdersaurus Rex Indominus Rex, park operator Claire releases the park’s T-rex to fight the Indominous. And this isn’t just any T-rex: this is Rexy, the same T-rex from the original 1993 movie, the one that terrorized Alan Grant and the kids outside its paddock, the one who chased Malcom, Sattler, and Muldon in the jungle, and who saved the day in the visitors center. Now, over twenty years later, Rexy returns to save the day once again in the most spectacular climax of the series to date (and one of my personal favorite final fights in years).
What’s so great about both these climaxes is that returning to the Overlook and releasing the T-rex to fight the villain (sadly, not in the same story) isn’t just done for fanservice, but as important parts of the story to resolve the conflict: The Overlook is the only place where Danny and Abra can possibly defeat Rose the Hat, and Rexy is the only chance Claire has to try and stop the Indominus Rex after every other containment option has failed.
As stated earlier, there’s no guaranteed formula for creating a popular legacy sequel. Said sequels can tell new stories without relying on the original and having just the right amount of nostalgia, but still fail. But if writers follow the four points outlined above, we have a much stronger chance of creating a worthy follow-up to delight audiences both new and old.
We’re Causing Our Own Extinction: Jurassic World 3’s Inevitable War Of Humans vs Dinosaurs
Two weeks ago, I theorized why the dinosaurs who escaped at the end of ‘Fallen Kingdom’ hadn’t been blasted into extinction by humanity, and that while I would love to see a world war between humanity and dinosaurs, it was implausible when the dinosaurs are so massively outnumbered. Yet, while director Colin Trevorrow has said ‘Jurassic World 3’ won’t feature such a conflict, I wonder if he’s only telling a half-truth. While we may not see armies engaging with millions of dinosaurs on the battlefield, it’s reasonable to suspect that we will see a different kind of war: A war of survival to see which species will inherit the Earth.
To see why such a war is inevitable requires looking back at the previous films and the common theme that runs through them, which is stated perfectly in this scene from the original movie:
Without knowing it, ‘Jurassic Park’ was setting up the theme of the franchise for years to come: Our attempts to play god and control life will always fail, with catastrophic results, a theme that was more heavily featured in ‘Fallen Kingdom’:
It’s not hard to imagine Ian Malcom’s coda as a preview of what’s to come. And if what has happened in the previous films is any indication, it won’t be pretty. Consider what has happened in each film:
Jurassic Park: The intricate and delicate system keeping the dinosaurs in their pens breaks down, and the park is abandoned.
The Lost World: Humanity’s attempt to capture the animals and open another park fails, and dozens of people die despite having the best weapons and technology money can buy.
Jurassic Park 3: Ingen’s efforts at playing god created a monstrous, hybrid spinosaurus much more powerful and aggressive than a real spinosaurus, which relentlessly pursues and kills several humans on Site B.
Jurassic World: Despite all the advances in containment technology, a genetically modified dinosaur causes havoc and causes the park to be permanently shut down.
Fallen Kingdom: Humanity saved dinosaurs from extinction to sell them as weapons, and said dinosaurs still break free, escaping into the wild.
When those three clips, and these outcomes are taken into account, they lead to the ‘Jurassic’ universe’s unshakable rule: Attempting to control life will always fail. For five films, such attempts have been confined to an island or a relatively small urban area (San Diego and the Lockwood Estate), but now that the dinosaurs have escaped into the wild, and the logical outcome is that the dinosaurs will defy all our attempts to stop them.
Such an idea may seem far-fetched (there are over seven billion of us, and less than 70 dinosaurs at the time of ‘Fallen Kingdom’), but it’s my opinion that this is the logical outcome of the franchise’s theme about our lack of control, and lack of respect when it comes to playing god: Life will never be controlled, and our attempts at doing so – for both good and ill – may have paved the way for our own destruction. It’s the perfect setup for a war of survival to mark the end of a decades-long franchise.
But what form will this war take? While it’s impossible to know at this point what this conflict would be like, I think we may have already seen something very similar in a film with a remarkably similar setup: 2011’s ‘Rise of the Planet of the Apes’ features a small group of intelligent apes escaping from a confined location and eventually rising up to take over the world. But they couldn’t have done that without a man-made virus that accidentally wipes out humanity in the subsequent sequels.
Sound familiar? It should: Humanity plays god and gives animals a boost in intelligence, but in doing so engineers the seeds of their own destruction.
Therefore, my theory is that ‘Jurassic World 3’ might see the resurrection of a prehistoric disease, virus, or plague that a rogue nation or terrorist organization might synthesize, and then release to the public at large, killing off millions and allowing the dinosaurs to run about unchecked, leading to Owen, Claire, Grant, Malcom, Ellie, and the other main characters racing against the clock to find a cure. And after many scenes of them running from carnivorous dinosaurs and fighting for their lives, I theorize that they will find a way to use science to save humanity, but at the cost of wiping out all the dinosaurs. Balance was thrown asunder when we created life, and for balance to be restored, that life has to be destroyed. Thus, at the end, all the dinosaurs die off one after another, finally ending with Rexy – the Tyrannosaur from the first film, and the icon for the entire series – being the last to pass away. Humanity is left in ruins, but will rebuild, and be wiser than before about the dangers of playing god.
Of course, this is all speculation. We still have two years to go before the film is released, and I’m eager to see how it plays with all these themes. But this is still an important example of how exploring themes can infuse long-running franchises with substance you won’t find in your average monster movie. There will always be a time for action films that are light on themes and philosophy, but adding both helps a long-running story gain deeper meaning, and lets audiences know that the writers aren’t just making something to try and earn money, but want to encourage the audience to think long after the credits have rolled, or the book has ended.
Why Haven’t All The Dinosaurs Been Killed Yet?: The Logistics Of A Cool – But Implausible – Inter-Species Conflict
A few weeks ago, I watched ‘Jurassic World: Battle at Big Rock,’ a short film that gives us a glimpse at how humans and dinosaurs are interacting in the wake of ‘Jurassic World: Fallen Kingdom’s ending.
Having been given a taste of what the third Jurassic World film might be like, I tried to imagine how things could get worse from this point out. Currently there are five concrete facts known about ‘Jurassic World 3’s story:
1. Claire, Owen, and Maisie will be back.
2. Alan Grant, Ellie Sattler, and Ian Malcom are coming back as well.
3. The story will take place around the globe.
4. Dinosaurs being created, sold, and spread around the world.
5. It will not be about a world war between dinosaurs and humans.
Despite the last fact being confirmed, I’m guessing that there will still be a major conflict between humans and dinosaurs, and an inevitable battle to see which species will have the privilege of survival. There is, however, one huge problem with this plot: At the end of ‘Fallen Kingdom,’ approximately 67 dinosaurs escaped into the wild. ‘Battle at Big Rock’ tells us that:
*The dinosaurs have been in the wild for a year.
*Their presence is known to the public at large.
*People are willing to go camping with their families when giant carnivores are running around (?!).
With that in mind, there’s one important question that must be answered: Why haven’t the dinosaurs been killed yet? From a public safety standpoint, these dinosaurs are an invasive species and a massive menace to public health. It’s only logical that authorities would want to take these creatures out as quickly as possible to ensure public safety. But why haven’t they? Five possibilities come to mind:
1. Authorities have not gone after the dinosaurs.
2. Authorities are hunting them down, but are having a difficult time locating them.
3. The dinosaurs have been tagged and are allowed to roam free within a limited area.
4. Shady individuals are bribing/threatening government officials to let the dinosaurs run free.
5. The public wants the dinosaurs to run free.
The first option is highly unlikely: whenever a bear or other dangerous animal is loose near communities, it’s quickly hunted down. If there was, say, an allosaurus or a tyrannosaurus rex stomping around a national park or suburban community, they’d be hunted down as quickly as possible, and if the authorities were slow to do so, then mobs of armed civilians would take up the task, not wanting their children or loved ones to become Purina Dinosaur Chow.
The second option is more reasonable, but still unlikely. We have technology and weapons that not only allow us to kill any dinosaur we come across, but to also track them down; finding the heat signature of a T-Rex or Triceratops with infrared cameras on a helicopter would be a relatively simple matter (though it’d be more difficult to track smaller dinosaurs, like the compies, and finding that mosasaur and the pteradactals would be neigh-impossible considering they could be swimming and flying anywhere on Earth), and military-grade weapons would make short work of even the thickest dinosaur hide. An ankylosaurus might be among the most heavily armored dinosaurs, but I doubt it would survive a rocket to the face.
The third option is the most likely, but is not without its flaws: as noted earlier, dinosaurs are an invasive species, and while a plant eater might be allowed to walk about freely with a tracking beacon, a house-sized carnivore who needs to eat hundreds of pounds of meat a day would still be a massive public safety hazard, and would be tracked down as quickly as possible and shot.
The fourth option, as silly as it sounds, could be at play in some areas: In this day and age, corruption runs rampant in governments, and the thought of shady companies/organizations who want the dinosaurs to survive for whatever reason would deploy threats or bribes to force various officials to look the other way. The problem with this, though, is that the inevitable public backlash against prehistoric carnivores running free would eventually become too great for even bribed officials to ignore; history shows that, when the public demands something for long enough, and loudly enough, governments eventually cave, no matter how corrupt they are.
The fifth and final option has people wanting the dinosaurs to roam wild and free and sing songs in the sun all day long… which means it’s probably environmentalists, hippies, and children who would take this option. But the problem is that they’re likely to be a minority, with the majority of people wanting their families and children to stay safe from murdersauruses running about in the woods.
With all that said, which option is the most likely one? While we’ll have to wait until 2021 to find out, I’m guessing the answer is a mix of 3 and 4 with a sprinkle of 5 thrown in: The authorities are going after the dinosaurs, but because of public affection for the beasts, authorities have decided to tag and track the herbivores, allowing them to roam free while warning the public that they may encounter said beasts in the wild. But while the authorities go after carnivores, the beasts somehow manage to escape capture, thanks to people who want them to be free, such as Eco-terrorists who work to remove tracking chips, or threaten people who try to tag said carnivores.
Of course, this is all speculation. I could be wrong on all of these, or may have just correctly guessed how things are going in the ‘Jurassic’ universe. But this scenario does provide a valuable lesson for writers of speculative fiction where unusual animals are released into the present day: There needs to be a very good reason why they aren’t wiped out quickly by humanity and our drones, guns, helicopters, tanks, and the like. Perhaps the animals are shapeshifters, or perhaps they reproduce at an astonishing rate, or have hides that are almost impervious to our weaponry. Simply having them run free without a good explanation of how they survive won’t work in our modern era; going back to the 6osih dinosaurs now roaming the wild, we have to contend that they face 7 and a half billion people, billions of guns, and every military on earth. To survive, each dinosaur – including the compies – must kill approximately 124,758,064 people to win the inevitable dinosaur war. Coupled with the fact that we have helicopters, heat-seeking missiles, high-caliber weapons, and an unmatched talent for wiping out entire species when we put our hearts and minds to it, the logical outcome of such a war is that the dinosaurs are slaughtered within a week or two, with only the compies surviving and thriving due to their small size, speed, ability to hide almost anywhere, and (presumably) fast reproduction speed.
The bottom line? Before we release animals into the wider world in our stories, it’s always a good idea to sit down, take a few minutes, and figure why they’re not blown to kingdom come by the most bloodthirsty species on the planet – us.
Favorite Moments: Jurassic World Battle Royale
We all have our favorite moments in movies, books, and games, moments that stay with us long after the story is over. This column is my attempt to examine my favorite moments and see why they stick with me.
Why it’s great
Here’s an interesting mental exercise to try when you’ve finished your next book or screenplay: If all the characters in your story were put into an enclosed area and forced to fight to the death, who would win?
That’s the premise behind this video, which features every dinosaur in the game, ‘Jurassic World Evolution’ (up to that point) released into a single, large enclosure to fight for survival, and see who would come out on top. As you might imagine, it’s… well, it gets pretty chaotic as herbivores and carnivores duke it out to see who wins the privilege of being the last one standing, to have the privilege of being lord of all they survey, to stand tall on Isla Nublar and bellow forth their call of triumph as they’re pelted with popcorn by gawking tourists for the rest of their lives.
While I’ve always found massive free-for all battles fascinating, it wasn’t until this video that I realized why: The fewer contestants there are, the higher the drama gets, and if one of your favorite characters is among the last few standing, you’ll hope against hope that they’ll survive (I was rooting for the Spinosaurus and the T-rex), even though fortunes can turn in an instant, and death is only one mistake away.