Favorite Moments: Game of Chairs

We all have our favorite moments in movies, books, and games, moments that stay with us long after the story is over. This column is my attempt to examine my favorite moments and see why they stick with me.

***

The video:

Why it’s great:

It’s Sesame Street poking fun of Game of Thrones.

Okay, I guess I’ll have to do more than post a sentence I never thought I’d write. What makes this sketch by Sesame Street great is that it manages to do three things at once:

1. Do a G-rated parody of an R-rated franchise.

2. Make it educational and entertaining at the same time.

3. Throw in plenty of in-jokes that only adult watchers of ‘Thrones’ would get that would fly over the heads of younger viewers.

It’s Reason # 3 that really makes this sketch shine: What 8 year old is going to catch the in-jokes about the bloodiest wedding in human history, the death of the most irritating teenage monarch ever, decapitation, and so much more? None, I’d warrant. You can almost hear the writers giggling as they turn R-rated horror into G-rated jokes, and on a children’s educational show, no less!

 

Three Fridays: An Examination of ‘Friday the 13th’

When it comes to horror franchises, few are as well known as Friday the 13th. Created in 1980, this series has gone on to include twelve films, countless books, comics, action figures, and video games, not to mention spawning the legendary Jason Vorhees, who remains one of cinema’s most famous slasher villains, with over two hundred (!) kills to his name.

Yet, even with its prestigious history, I’ve never sat down to watch all the films, the one exception being ‘Freddy vs Jason.’ I thought it was a fun film, but it didn’t get me interested in watching the rest of Jason’s filmography. All that changed, though, when I took a look at a recent, fan-made remake of the 1980 film, which made me curious to see how it fared to both the original, and the 2009 remake, leading to the rare scenario of being able to see the same story being told three different ways.

For the next few weeks, I’ll be taking a look at all three interpretations: The 1980 original, the 2009 remake, and a 2019 fan-made version that I’ll keep a secret for now. If you haven’t seen the original film, I’d recommend not reading any further until you have, as this series will spoil major plot details.

With all that said, let’s begin with the film that started it all: 1980’s, ‘Friday the 13th’

As said so memorably in 1962’s ‘Lawrence of Arabia’ and 2012’s, ‘Prometheus,’ “Big things have small beginnings,” perfectly sums up Jason’s first big-screen outing, a small-scale slasher flick that finds camp counselors facing certain death when stranded at a small summer camp in a remote forest. Thanks to pop-culture osmosis, I knew all the twists before watching the film: that Jason is barely in the film, that his mother is the killer, and that everyone but one girl dies. Still, knowing the plot before seeing a movie isn’t always going to ruin it: I knew how ‘Alien’ and ‘The Shining’ turned out before watching them, and they were still scary, effective films that became personal favorites.

I’m afraid the same can’t be said for ‘Friday.’

For all the praise put upon it as one of the best films in the series (or the best, depending on who you’re talking to), I found ‘Friday’ to be surprisingly dull. It gets off to a good start, with Annie coming into town and learning about Camp Crystal Lake, and then heading off to join her fellow counselors… only to be killed before she even reaches the front gate. Killing off who you think is going to be the main character in the first act is a great way to suck people in, and I was eager to see how the film went from there. Regrettably, ‘Friday’ follows the standard trope of building up doomed teenagers before killing them off in an isolated location. There’s nothing wrong with that (and Crystal Lake at night in a thunderstorm is an effective horror setting), but the problem is that the film’s glacial pace results in numerous periods of boredom, to the point where I even fast-forwarded to get to the inevitable killings, which are quite tame compared to what came later (the arrow-through-the-throat kill is quite memorable, though).

While ‘Friday’ was mostly a disappointment for me, it does have one element that saves it from the pile of over-hyped movies: Pamela Vorhees, Jason’s mother. At first glance, a middle-aged woman with no fighting skills or unique abilities doesn’t sound like a compelling villain, but Pamela elevates herself with one of the most sympathetic backstories to be found in slasher cinema: A mother who lost her only child due to negligence, who is driven by unimaginable pain to get revenge on those who let him die, and stop other children from suffering the fate her son did. I can think of few other killers in cinema who are so sympathetically evil; Pamela’s so easy to relate to, even if we don’t agree with her killing innocent counselors who had nothing to do with Jason’s death. And to twist the knife even further, the revelation that Jason is still alive means that all her killings and her twisted quest for justice was all for nothing, turning the film into a tragedy where nobody wins, nobody gets justice, and all the suffering everyone goes through was for nothing.

Wow.

When looking at ‘Friday’, both as the start of a franchise, and as a standalone movie, it’s my opinion that it isn’t very good. If it was removed from the ‘Friday’ franchise and stripped of it’s historical status, ‘Friday’ would probably be remembered as a rather standard slasher film that would struggle to stand out among its peers, especially surprising how Pamela’s existence isn’t even hinted at before her reveal, making her appearance feel like a cop-out (and proof that there should always be a hint on who the killer could be in whodunits).

Still, Pamela’s effective performance manages to save ‘Friday’ from being a complete disappointment. While, in my opinion, it’s not a good film, it does deserve to be recognized for its villain, and for starting one of the most famous slasher franchises in history… well, that, and the hilarity of knowing that Pamela’s little boy will one day blast off into outer space and hack people to death on a space station as an undead demonic cyborg.

Tune in next week, where we’ll take a look at the 2009 remake of ‘Friday’ and see what a modern-day take on Jason’s origin has to offer.

Favorite Moments: The Lion King (low budget)

We all have our favorite moments in movies, books, and games, moments that stay with us long after the story is over. This column is my attempt to examine my favorite moments and see why they stick with me.

***

The video:

 

Why it’s great:

If you were a little kid during the 90’s, you were probably traumatized by seeing Mufasa fall to his death in ‘The Lion King’. I should know; I was one of those kids who was heartbroken at seeing him become wilderbeast roadkill, and another unfortunate victim in Disney’s never-ending quest to kill all parents.

So, naturally, someone had to take the scene and remake it in 3D, but with incredibly silly animation that looks like it was saved from an animation student’s recycle bin, making another great example of how taking a dramatic scene and interpreting it with silly, amateur production values can make for comedy gold.

What we can learn from ‘Limbo with Lyrics’

NOTE: The music video for this song features a child drawn in a stylistic manner repeatedly dying violent deaths.

When it came out in 2010, ‘Limbo’ quickly became one of the most famous independent video games ever created, quickly putting developer Playdead on the map. With it’s beautifully dark art style, bleak aesthetics, brutal violence, and haunting soundtrack, ‘Limbo’ is a masterpiece of grim video games… so, naturally, parodies starting coming our way, including this rather amusing song.

There’s only one lesson to learn from this video, but it’s a good one:

Be cautious when doing making light of real-life horrors

If you haven’t played ‘Limbo’, here are two videos to show you what kind of game it is:

When I initially started this article, I was going to write about how the use of an upbeat tune and comedic sound effects makes for comedy gold when contrasted with very dark media (which it does very well). After all, such a mix has worked before:

However, I then realized that while that combination of lighthearted fun and horrific suffering is funny for fictional stories, it doesn’t work as well when used in real life: A fun Reggie song about concentration camps in Nazi Germany would be rather… tasteless. So would a happy jazz tune about atrocities committed by ISIS to innocent people. It’s easy and fun to parody Jason Vorhees, Darth Vader, and the Alien and Predator, but when it comes to poking fun at torture, genocide, or the mutilation and murder of ordinary people, we walk a very dangerous line between making a point and being tasteless.

Now, nothing is off limits when it comes to comedy. Writers should be free to do dark comedy if they wish, on whatever subject they wish. But discretion is important: Doing a parody song about how millions can’t pay their bills, afford insulin, or even a place to live can be funny because it critiques society and makes a point. Doing a Reggie song about children having limbs hacked off because their parents couldn’t make daily quotas on a rubber plantation probably won’t have the same effect.

When audiences watch or read comedy, they want to laugh and get away from the horrors of the world, if only for a few minutes or even a few seconds. As writers, we have to be careful how we use horror to make them laugh. If we use the horrors of a fictional world, we have more leeway because those horrors don’t really exist. But if we use the evil that surrounds us in everyday life, we must be careful of the point we’re trying to make… unless we’re talking about people who push shopping carts in grocery stores at half a mile an hour and block isles so that no one can get past them. They’re fair game.