A New Way Of Looking At Indiana Jones And The Dial of Destiny

(This post contains spoilers for Indiana Jones and the Dial of Destiny)

Like many people, I was disappointed with Indiana Jones and the Dial of Destiny, the official last Indiana Jones film (and with its box office performance, it’s likely to stay that way for a very long time). Going into my local theater the night of its premiere, dressed in my officially licensed fedora, leather jacket, gasmask bag, and beige pants, I was hoping against hope that the film would give Indy one last, glorious adventure that would celebrate his life, his legacy, and let him end his story on a high note. Heck, I even did a post last year theorizing about what might happen.

None of that happened.

Over the course of two and a half hours, my heart steadily sank as I realized that Dial of Destiny was falling into the same trap so many legacy sequels had fallen into over the years: The hero/s of the previous films are now old, tired, and failures, and only a young, smart, strong, and talented newcomer can rejuvenate them (while also setting themselves up to take over the franchise in future sequels). Instead of Indy getting the spotlight, I watched as his goddaughter Helena – an unlikable con artist, thief, and borderline sociopath – became the film’s protagonist, insulting Indy and upstaging him every chance she gets. And then, during the climax of the film – which, to remind you, is the last time we will ever see Harrison Ford as Indy – Helena is the one who saves the day while Indy literally just sits around, and then punches him in the face.

As the film faded to black, and the credits rolled, I stared at the screen, feeling nothing. Had this movie happened several years ago, I would have been crushed at seeing my childhood idol being denied the final adventure he deserved. But after enduring the disappointment of the Star Wars sequel trilogy and Jurassic World: Dominion, it was easy to walk out of the theater into the night with my fedora in hand, drive home, and try to forget that the film ever happened.

But today, a realization came to me: I wanted a story where Indy saves the world from being conquered by the Nazis via time travel. Instead, I got a story where Indy – who has already accomplished more in one life than most people could in a dozen – saves a loved one going down the path of cruelty, selfishness, and greed by being the good angel on her shoulders. A grumpy, none-too-gentle angel, yes, but one that gradually convinces her (and her sidekick Teddy) to take the first steps down a better way of life. And as a reward for everything he’s done, Indy’s given not gold, treasure, or fame, but a treasure greater than anything he’s found: being able to spend the rest of his life with both Marion and Sallah, his best friend, by his side.

Dial of Destiny doesn’t have the story I wanted: it doesn’t feature Indy saving the world, or time-traveling to multiple eras in history, or Indy hanging up his hat at the end, satisfied that he’s stopped the Third Reich for good… but it’s a more intimate, emotional story of a great man in his twilight years saving others from going down the wrong path in life. That, I think, is a story worth telling.

Favorite Moments: ‘Captain… Help…’

We all have our favorite moments in movies, books, and games, moments that stay with us long after the story is over. This column is my attempt to examine my favorite moments and see why they stick with me.

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The Movie

‘Star Trek: First Contact’ (1996)

The Scene

(skip to 1:35 for the moment in question)

Why It’s Great

As a child of the 90’s, I was privileged to see a lot of great TV shows growing up: ‘The Simpsons,’ ‘M*A*S*H’ reruns, ‘Dinosaurs!’ and almost every Nickelodeon cartoon and game show constantly played on the family television, but it’s ‘Star Trek: The Next Generation’ that’s stayed with me well into adulthood. Picard, Riker, Data, Worf, and all the Enterprise crewmembers others were as much a part of my childhood as Luke Skywalker, Darth Vader, and Indiana Jones. I watched as the Enterprise and her crew as they explored the cosmos, negotiated peace with hostiles species, got into firstfights and phaser shootouts… and also turned into children.

Throughout it all, though, Picard was the character who left the greatest impression with me. He was the champion of reason and diplomacy, yet not afraid to get into a fight if he needed to. He was firm, but fair, and to my young eyes he was the leader who always did what was right.

Then came 1996’s ‘First Contact,’ and in a film filled with action, horror, shootouts, and scary Borg monsters, the thing that stuck with me the most was the shock of seeing Picard shot an infected Enterprise crewmember begging for help. As a young kid, that blew my mind: Picard was the good guy! He wouldn’t kill his own crew! And yet, he had just killed one!

To a pre-teen like me, this was the moment where I realized that the right thing to do isn’t always the nicest. In the cartoons and kids shows I watched, the heroes always saved innocent people from the bad guys. To see one of those heroes kill an innocent person – even if it was an act of mercy – made me realize that sometimes the good guys must do things that are morally questionable, even if there’s no malicious intent. It was a big step forward in realizing that things aren’t always black and white, and a big step in realizing that writing stories where things aren’t clear cut are a great tool for creating moral delimas that stay with audiences long after the story is over.