A New Way Of Looking At Indiana Jones And The Dial of Destiny

(This post contains spoilers for Indiana Jones and the Dial of Destiny)

Like many people, I was disappointed with Indiana Jones and the Dial of Destiny, the official last Indiana Jones film (and with its box office performance, it’s likely to stay that way for a very long time). Going into my local theater the night of its premiere, dressed in my officially licensed fedora, leather jacket, gasmask bag, and beige pants, I was hoping against hope that the film would give Indy one last, glorious adventure that would celebrate his life, his legacy, and let him end his story on a high note. Heck, I even did a post last year theorizing about what might happen.

None of that happened.

Over the course of two and a half hours, my heart steadily sank as I realized that Dial of Destiny was falling into the same trap so many legacy sequels had fallen into over the years: The hero/s of the previous films are now old, tired, and failures, and only a young, smart, strong, and talented newcomer can rejuvenate them (while also setting themselves up to take over the franchise in future sequels). Instead of Indy getting the spotlight, I watched as his goddaughter Helena – an unlikable con artist, thief, and borderline sociopath – became the film’s protagonist, insulting Indy and upstaging him every chance she gets. And then, during the climax of the film – which, to remind you, is the last time we will ever see Harrison Ford as Indy – Helena is the one who saves the day while Indy literally just sits around, and then punches him in the face.

As the film faded to black, and the credits rolled, I stared at the screen, feeling nothing. Had this movie happened several years ago, I would have been crushed at seeing my childhood idol being denied the final adventure he deserved. But after enduring the disappointment of the Star Wars sequel trilogy and Jurassic World: Dominion, it was easy to walk out of the theater into the night with my fedora in hand, drive home, and try to forget that the film ever happened.

But today, a realization came to me: I wanted a story where Indy saves the world from being conquered by the Nazis via time travel. Instead, I got a story where Indy – who has already accomplished more in one life than most people could in a dozen – saves a loved one going down the path of cruelty, selfishness, and greed by being the good angel on her shoulders. A grumpy, none-too-gentle angel, yes, but one that gradually convinces her (and her sidekick Teddy) to take the first steps down a better way of life. And as a reward for everything he’s done, Indy’s given not gold, treasure, or fame, but a treasure greater than anything he’s found: being able to spend the rest of his life with both Marion and Sallah, his best friend, by his side.

Dial of Destiny doesn’t have the story I wanted: it doesn’t feature Indy saving the world, or time-traveling to multiple eras in history, or Indy hanging up his hat at the end, satisfied that he’s stopped the Third Reich for good… but it’s a more intimate, emotional story of a great man in his twilight years saving others from going down the wrong path in life. That, I think, is a story worth telling.

Great Quotes About Writing: Reluctant Heroes

There are a lot of great quotes about writing out there; these are some of the most insightful, thought-provoking, or ‘ah ha!’ ones I’ve come across.

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“The thing is, if the idea is to make them a reluctant hero, than HAVE them be happy, if they have a happy life than they won’t want to leave. Don’t make it so that they have no life anymore”

-@SergeantDuck69420, on ‘Drinker’s Chasers – Helena Shaw Is The Worst Thing In Indiana Jones

I have a lot of thoughts about about the latest Indiana Jones movie, but when reading through the comments on the linked video, the quote above caught my eye for daring to ask a simple question: What if our older heroes of the silver screen (or books, or video games, etc.) are actually happy with their lives instead of being depressed, alone, and feeling like failures? I know I’d like to see Hollywood veer away of making the heroes of my favorite films from the 90’s as gloomy and depressed as possible; in a world as dark as our own, why not dare to show some happiness and contentment for our favorite characters?

A Dark Fate vs A Force Awakened

‘Terminator: Dark Fate’ was intended to be the start of a new ‘Terminator’ trilogy that would eventually close the book on the story that began all the way back in 1984. However, despite making over $249 million dollars at the box office, ‘Dark Fate’ appears to signal the end of the Terminator franchise (for now, at least). Yet, despite the overall lukewarm reception, and disagreeing with some of the story choices, I’m still a fan of the film, thanks to the enjoyable cast (especially with Linda Hamilton and Arnold Schwarzenegger back together) and action scenes.

However, when writing about the film two weeks ago, I realized that ‘Dark Fate’ is surprisingly similar to 2016’s, ‘The Force Awakens’: Both are sequels to popular movies that feature new female leads, have the new antagonist that’s almost identical to the old one,  have a character from the original series be killed, and end with the main leads heading out to fight the new antagonists.

Yet, while I was disappointed with ‘The Force Awakens’ for feeling too much like a remake of ‘A New Hope’ with elements from ‘The Empire Strikes Back’ sprinkled in, I had no such problems with ‘Dark Fate’, and ever since realizing how similar both movies are, I’ve been brainstorming why that’s so, and I think I’ve figured it out: The main reason I prefer ‘Dark Fate’ over ‘The Force Awakens’ is how they treat characters from the original series. In ‘Awakens’, most of them are given only minor roles, with only Han, Chewbacca, and Leia getting the most screentime. In ‘Dark Fate’, though, Sarah and the T-800 have large roles to play, with Sarah being newcomer Danni’s mentor throughout the runtime, and the T-800 acting as a bodyguard/protector who ultimately destroys the REV 9, ensuring Danni’s survival.

In short, ‘Dark Fate’ brings back legacy characters and gives them plenty to do alongside new characters. ‘Awakens’ may bring back more of its original cast, but only gives two (Han and Chewie) substantial roles.

When writing legacy sequels, or sequels that take place a long time after the previous entries, it’s important to let original characters have the limelight: longtime fans love seeing their favorite characters again, and it’s a good bet that newer fans enjoy seeing them, too. Despite killing off John Connor too quickly and easily, ‘Dark Fate’ honors and respects Sarah and the T-800 by giving them a lot to do and making them vital to the story. Considering how it’s unlikely we’re going to get a new Terminator film for a long time – if ever – it was a wise choice.