Movies

Perfect Moments: The Last Stand of Men

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Once in a while, you come across a moment in a story that is so perfect that it stays in with you for years, or even a lifetime. These are moments that, in my opinion, are flawless; perfect gems of storytelling that cannot be improved in any way, and are a joy to treasure and revisit again and again.

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The Movie:

‘The Lord of the Rings: The Return of the King’

The Scenes:

Why they’re perfect:

When it comes to doing the climax of a story of a villain who wants to take over the world – and has the power to do it – writers need to step up and give their best, and the film adaptation of The Lord of the Rings: The Return of the King does it perfectly.

In these two scenes, the surviving members of the Fellowship and a small group of soldiers from Rohan and Gondor have come to the Black Gate to distract Sauron and keep his eye away from his home turf, giving Frodo and Sam the best chance of making it to Mt. Doom without being seen so they can destroy the One Ring. The problem is, Aragorn and his forces are outnumbered and have no chance of surviving, leading to Aragorn rallying his men with one of the best speeches in all of fantasy, and subsequently charging Sauron’s forces.

While fans love the speech and Aragorn’s subsequent charge, what’s not talked about are Aragorn’s men: every soldier who marched with him to the Black Gate did so knowing that they were going to die. They marched knowing that they would never see their loved ones again, and that they were going to war against a seemingly invincible enemy, one who has fought to enslave their world for thousands of years, who lied, deceived, and abused his own fanatical followers, who has refused to give up, caring only about himself and his glory. If Sauron wins, all of Middle-Earth will fall, and he will have dominion over all of Middle-Earth until the end of the world.

But these men refused to stay behind. They knew that this was their last, best, and final chance to save their world and their families from unspeakable evil, and chose to fight in the hopes that, against all odds, good will win. And so when Aragorn, Gandalf, Legolas, Gimli, Merry, Pippin, and Eomer charge into battle, the ordinary, everyday people charge with them into the last and greatest battle of their lives. They don’t know if Sauron will fall… But they’re going to do their best to ensure that he does.

11 Great Things About David Gordon Green’s ‘Halloween’ trilogy

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Note: This post spoils the stories of the 2018 film Halloween and its two sequels: Halloween Kills and Halloween Ends. It also contains videos depicting fictional gore and violence that is not safe for work. It also contains a clip of a fictional character killing themselves.

It’s spooky season once more, and you know what that means: horror movies, slasher villains, and buckets of blood and gore. We’ve gotten a lot of horror franchises over the years, but only the classics endure, and the granddaddy of them is the Halloween franchise. While quite tame by today’s standards, the original was groundbreaking when it was release back in 1978, introducing the seemingly unkillable Michael Myers to silver screens everywhere, and beginning one of horror’s longest-running franchises.

Two years ago, David Gordon Green’s sequel trilogy – which acted as a direct followup to the original 1978 film – came to an end with Halloween Ends. Although the trilogy has gotten a mixed reception from fans, I think that, despite some narrative inconsistances, there’s a lot to like about the films. Here are eleven of my favorites:

11. Michael Meyers, Child Killer

While horror films can get away with a lot that other genres can’t, killing children is one of the things normally frowned upon. But Halloween, Kills, and Ends has no problem with Michael killing children.

While Michael was never even remotely a good guy, having him kill children in painful ways (I don’t even want to know what happened to the poor kid who wore that blood-drenched skull mask) shows viewers that he’s one killer who doesn’t mess around and is willing to kill anyone he comes across. Yet, even then he spares an infant in the first film, and we never find out why, further cementing that he’s a force of evil that doesn’t bother to explain itself to his victims.

10. Laurie and Michael’s Reunion

Throughout the first film of the sequel trilogy, we get to see how Laurie prepared herself for an inevitable rematch with Michael, and what follows isn’t so much a fight, but a one-man siege:

What I like about this even though Laurie has been preparing for this fight for years, she still can’t kill Michael with guns or brute force, and has to resort to trickery and help from her daughter and granddaughter, and even then it’s still not enough to kill Michael (who, at this point, is 61 years old).

One little thing that makes this scene even better is the moment when Laurie calls out for Ray: you can almost hear Michael thinking, “Wait a minute… I know that voice.” And then, turning his head, he sees Laurie through the door, recognizes the girl who got away so long ago, and decides to finish what he started back in ‘78.

9. Old Man Michael

One of my favorite things about the Halloween sequel trilogy is that the films acknowledge Michael’s age. Instead of trying to make him an eternally youthful man, Michael has aged to the point where he could collect social security checks and get senior discounts at the grocery store. By acknowledging that the bogeyman is getting old, it makes Michael’s kills all the more unique because we rarely get to see a senior-citizen slasher villain in stories, much less one who has three movies to play around in.

8. The Innocent Inmate’s Suicide

Though the trilogy is focused on horror and kills, it’s most emotional moment is when one of Michael’s fellow inmates from the asylum realizes that an enraged mob – who believes that he’s Michael – is going to tear him limb-from-limb. They can’t be stopped, they can’t be reasoned with, and the man – who is harmless and terrified – decides that the only thing he can do is jump to his death rather than face an even worse death at their hands.

Afterwords, the shock from all those present drives home how they’ve realized that their fear, paranoia, and desire to kill Michael have turned them into monsters on par with Michael himself.

7. Michael vs the Mob

The climax of ‘Kills’ sees Michael’s bloodiest, goriest, and highest body count in any of his films when he’s attacked by dozens of Haddonfield’s citizens.

He’s shot, clubbed, hit, beaten to the ground and seemingly defeated; it’d be a perfect ending to the series to have ordinary people unite and take Michael down for good… and then he lashes out, gets right back up, and kills everyone in the crowd.

Though the trilogy flip-flops on if Michael is supernatural or just a man, this scene proves that while Michael may look human, he is anything but.

6. Michael’s Evil Infecting Haddonfield

Though Michael is and always will be the face of the Halloween franchise, an idea that’s been brought up again and again is that evil always changes shape, and that killing Michael will mean that someone will eventually take his place. However, there’s another aspect of this that is subtly implied throughout the trilogy: that the evil within Michael corrupts everyone around it. When Michael returns to Haddonfield, the people there start to become paranoid and act violently to try and stop him, only succeeding in killing innocents and themselves, until Corey is seduced and corrupted in Ends, almost becoming Michael’s successor.

Michael may be a remorseless killer, but he is also a tumor that infects, corrupts, and destroys everyone around him. He’s a prime example of how evil can create a cycle of fear, death, and revenge that is almost impossible to stop.

5. Michael’s Supernatural Abilities

There’s been many theories on why Michael is so durable and hard to kill, and while Ends says that he’s just a man, I don’t think that’s true: Michael takes damage throughout the trilogy that would kill a man half his age and demonstrates endurance, durability, and strength beyond anything any normal person could endure: name any other man in his 60’s who can beat someone to death with their fists, he can crush a man’s head into pulp by smashing it with his boot, take a firehose of water to the chest without flinching, and hit someone with a baseball bat so hard that the bat itself is broken into two.

I’m of the theory that while Michael himself is human, the evil he contains makes him so much stronger and durable than any man could ever be, and while that power fades with age, it’s still always there, always driving him on, always giving him what he needs to continue his killing spree.

4. Michael vs the Firefighters

Michael gets into a lot of fights throughout the trilogy, but in terms of sheer ‘cool’ factor, this is my favorite:

Not only does this fight have a fantastic setting (taking place in front of a burning house), it demonstrates just how inhumanly strong Michael as as he takes down nine firemen who are armed with axes, firehoses, and even saws. But this fight is also a moment of awesome for the firefighters themselves: the moment they see Michael step outside, they instantly know who he is, but they don’t panic, run, or call for backup: instead, they stand their ground and fight. And while they all die, at least they go down fighting.

Fun fact: The house burning down during the scene? That was done for real, which meant that the filmmakers had about an hour to finish filming before the house collapsed. Thankfully, they did!

3. The Final Confrontation Between Laurie and Michael

The first sequel had a fight to the death between Laurie and Michael, but in my opinion, the final battle between the two in Ends is so much more gripping: Michael – now worn down from years of untreated injuries – comes to Laurie’s house and realizes she’s nearby. Laurie – who has given up on being a highly-trained survivalist – has no time to prepare as Michael comes for her, ending in a final, no-holds-barred beatdown between the two.

While the fight isn’t flashy or filled with fancy choreography, I love its atmosphere: this fight really feels like a final confrontation over 40 years in the making, both in-universe and out. Predator and Prey – both of whom are past their physical prime – fight to the death with nothing to lose and throw everything they have at each other, all backed with a near-apocalyptic soundtrack that makes things so much more intense. This is the last time Laurie and Michael will ever fight, and they give it their all. Many a fan has decried how Michael should have been able to kill her easily, but having Michael be old, worn out, and worn down from all the injuries he’s accumulated makes things more evenly matched between the two, and makes Laurie’s final victory all the more satisfying.

2. Michael is Killed For Good

There’s a saying in the world of comics: no one ever stays dead (except Uncle Ben), and the same can be said for slasher franchises: no matter how many times a villain is supposedly killed off for real, box office profits ensure he or she will always come back, no matter how convoluted the explanation may be. But while Michael will return for the inevitable reboot of the Halloween franchise, this timeline ends him in the most concrete way possible: by throwing his body into an industrial shredder and tearing him into bloody pulp.

There’s no way, NONE, that Michael can come back from this, and there’s one aspect of this scene that makes it so satisfying beyond seeing an evil man finally getting his just deserts: Throughout the series, Michael always comes back from every injury he takes. Whether it’s immediately, in a minute, a few hours, or even years, he always comes back, and I believe that Michael did not actually die in the fight with Laurie. Instead, he was so weakened from the loss of blood and his accumulated injuries that he couldn’t move, and while the evil possessing him was working to try and heal his body, the process couldn’t be completed when he was thrown into the shredder. Thus, Michael Myers truly died when the shredder tore him apart, and he felt all the pain that came with it: a far more just and deserved ending after all the lives Michael took, the fear he spread, and the suffering he inflicted on so many.

1. A Hopeful Ending

One reason I generally avoid horror films and franchises is the constant trope of downer endings where evil wins and nothing good comes from all the sacrifices, struggles, and suffering of the protagonists. Thankfully, Ends avoids this with a bittersweet, but hopeful ending:

After so many decades, Laurie finally kills Michael and frees both herself and Haddonfield from his reign of terror. While she cannot get back all the years and loved ones she’s lost, Laurie can now heal and create a new life for herself, complete with a new relationship with officer Hawkins. And best of all, in the final shots of the film, there’s no sound of Michael breathing. His mask remains, but the man – and the evil he carried – is truly gone, and it’s a great way to end the original Halloween timeline.

What We Can Learn from The Resident Evil Film Series: Part 1

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It’s October once again, and our annual celebration of all things spooky: Vampires, skeletons, ghosts, witches, political lobbyists, and everything else that lurks in the shadows under the midnight moon. But there’s nothing to celebrate about the troubled times we live in: democracy is under siege worldwide, the climate is changing for the worse, and a virus is running rampant that causes some people to go mad and attack others for the most trivial of reasons. In light of all these troubles, I thought, in spirit of the season, why not take some time to unwind by watching a movie series about a virus running rampant that causes people to go mad and attack others, eventually destroying civilization and bringing humanity to its knees? The series of which I speak is the long-running, seemingly undead saga of ‘Resident Evil.’

Ever since the introduction of the original Resident Evil on the Playstation in 1995, the series has gone on to encompass 28 games (!), several novels, action figures, and even a freaking restaurant. It’s not surprising that a movie adaptation would eventually come along, and we got such an adaptation with the Paul W.S. Anderson series that ran from 2002 to 2016. While a critical failure, the series was a financial success (they remain the highest-grossing zombie movie series in history), which means that they must have been doing something well. That’s why we’re going to dive into all six films and see if we can discover just what those things are.

Much like my previous analysis of Friday the 13th, the Matrix fight scenes, and the Jaws series, we’ll be taking a look at each movie and seeing what they do well, and what could have used some improvement. And once we reach the end, we’ll see what the series accomplished and what lessons it can offer writers. So without further ado, let’s dive into the world of movies about video game zombies. We’ll start at the beginning, with the simply-named, ‘Resident Evil.’

Released in 2002, the movie follows a group of heavily armed Umbrella soldiers and a lady in skimpy clothes as they infiltrate the Hive, an underground research facility where a killer virus has broken loose and turned the people inside into bloodthirsty zombies, hideous monsters, and other icky horrors that our heroes must fight in order to escape.

What does the film do well?

It has an effective horror location

Any self-respecting horror story has its characters eventually stuck in an isolated, out-of-the-way location where it’s difficult, if not impossible, to get help, forcing the characters to rely on their wits and each other. ‘Resident Evil’ is an interesting variation of this: the film takes place almost entirely within the Hive, an underground research facility located beneath a major metropolitan area. This serves a dual purpose: It makes it so that the characters are so close to help, but are still cut off, and since the facility is deep underground, they can’t just jump out of a window, run out through the main door, or otherwise easily escape. Worse still, if the virus breaks free, everyone the surface will suffer the same fate as the poor souls who have been transformed into undead ghouls.

It has an effective ticking clock

One of the best ways to keep a story moving is to have a ticking clock, something bad that will occur if the protagonists don’t accomplish their goals in time. ‘Resident Evil’ features a particularly effective one: Alice and the other security forces heading into the Hive have to get back out or they’ll be trapped inside when the Hive is permanently sealed. That’s a good incentive to keep moving and ensure that the story does, too.

It has a great psychological death scene

‘Resident Evil’ gets off to a good start by having a bunch of innocent workers die during the initial virus outbreak, most by being gassed, some by being dropped to their death in an elevator, and one poor lady getting her head smashed into goo. It’s all suitably unnerving, but I think the most effective part takes place in a sealed lab.

(the scene in question starts at 4:55)

There, three workers realize that, because the lab is sealed, the water pouring in has nowhere to go. If they don’t find a way out, they’ll drown. Later, when Alice and the soldiers pass through the lab area, we learn that the workers did indeed drown.

The other deaths in the opening may be more graphic, visceral, and direct, but for my money this is the most unnerving death scene of the film. It taps into the fear of facing a horrible, painful death and not being able to do anything about it. Worse still, it’s not a quick death: you would have plenty of time to watch the water slowly rise, covering your knees, then your waist, then your chest, and shoulders, until there’s only a few inches of space left for you to breathe… and then there would be nothing. And all the while you’re trying to cut your way out with an axe, only to realize that there’s no way out. You’re going to drown, and there’s nothing you can do to stop it. It’s a terrifying thought, and a perfect example of how horror is more than just decapitations and buckets of blood being thrown all over the screen: It’s about suffering and being helpless to stop it.

It has an awesome deathtrap

If the James Bond and SAW series have proven anything over the years, it’s that people get a kick out of elaborate deathtraps, and ‘Resident Evil’ features a particularly infamous one: the laser hallway.

This scene is a doozy because it’s so simple, yet devastatingly effective: our operatives are trapped inside a tight, confined space with nowhere to hide, and their only hope to survive is to dodge the lasers until the system is shut down. But the lasers’ path is unpredictable and constantly changing, culminating with an inescapable grid that chops One into bite-sized pieces.

Yet, like all great traps, it is possible to survive. The people facing it have a chance if they’re fast, flexible, and have taken plenty of Zumba classes, but messing up just once means losing body parts if you’re lucky, or death if you’re not. It’s simple, effective, and memorable, so much so that even the Resident Evil video games featured a homage to it.

It has a villain doing the wrong thing for very justifiable reasons

While Alice and the Umbrella soldiers have to deal with zombies, zombie dogs, a licker, and the man who is ultimately responsible for starting the outbreak in the first place (for money, of course), their main adversary is the Red Queen, the AI in charge of running the Hive. But while it is responsible for killing a few hundred workers and researchers, it was not done out of malice: The Red Queen, in order to prevent the highly contagious T-Virus from escaping the Hive and reaching the surface, decided that killing everyone to keep them from escaping was the best course of action in prevent a planetary pandemic. And considering what happens in the later films, the Queen’s logic is dark, but understandable: Kill a few hundred to prevent humanity being brought to the edge of extinction.

The very best villains are the ones that make audiences ponder what they would do in their place, making them more memorable than the routine, ‘kill ‘em all for money/power/the evulz/etc.’ villains we see so often. It’s hard to beat a villain who relies on logic instead of malice and does horrific things for the right reasons (and is even willing to let Alice and the others escape if they kill the one infected member of their group).

It features a great cliffhanger ending

As is so often the case in action-horror movies, only a few people make it out alive at the end (Alice and Matt) before the Hive is finally sealed. But the movie doesn’t end there: the true ending finds Alice waking up in a hospital and emerging into an abandoned Raccoon City. There’s no help coming, no rescue party, and all Alice has is a single shotgun to face off against the unseen armies of the undead. Even worse is the knowledge that Matt is being put into the Nemesis program, a great tease for fans of the game as to who will appear in the next film. And while it’s always risky to end a movie on a cliffhanger (there’s no guarantee you’re going to get that sequel), this one is terrific, leaving viewers imagining what’s going to happen next in a world that’s on the brink of the apocalypse.

What could the story have done better?

It could have been much more faithful to the games

The biggest flaw with ‘Resident Evil’ is that it has almost nothing to do with the game it’s based off of. While the main elements are here (a team of trained operatives, a mansion, zombies, a licker, and the Umbrella Corporation), none of the characters from the game appear, and we have a plot that bears little resemblance to the source material, a massive disappointment for anyone who hoped to see Jill Valentine, Chris Redfield, and Barry Burton’s Jill Sandwich jokes.

When a book, a video game, or other property gets adapted into a film, fans of those properties expect to see the story and characters brought to life on the big screen, and ‘Resident Evil’s lack of faithfulness to the source material leaves it feeling like a In-Name-Only adaptation designed to deprive fans of their cash without giving them what they were expecting.

There are too many side characters

‘Resident Evil’ features the undead horse-trope of ‘large group of individuals go through a horror movie where 80% of them exist to die horribly.’ While there are plenty of deaths to satisfy horror fans, those deaths would have much more impact if we got time to know more of the soldiers, giving their deaths more emotional weight. As with so many other films of this type, it might have been better to have only a handful of characters instead of a lot.

It has a cliffhanger ending

The biggest risk of having a cliffhanger ending is that, unless you’re doing an installment of a major, pre-established franchise or already filming the sequel, a sequel is not guaranteed. People may just not go see the movie, the hoped-for profits never come, and a followup is never made, leaving a cliffhanger eternally unresolved. While ‘Resident Evil’s gamble paid off, it could have also left fans angry at never seeing the coming zombie apocalypse or Nemesis stomping about while yelling about stars.

Cliffhangers, while effective, should be used carefully, both in case a project never gets a followup, or if the followup itself is… well, we’ll get to that later. But we’ve still got five movies to go through, so tune in next time where we’ll see Alice jump out of the frying pan and into the zombie-infected fire in ‘Resident Evil: Apocalypse.’

Is Rexy God?

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When it comes to fan theories, nothing’s off-limits. Are the characters in a show all dead? Are they aliens? Is everything happening in the show a dream? Is Jar Jar Binks a Sith lord who secretly masterminded the events of the entire Star Wars saga? There’s no limit to the creativity that fans can come up with, which leads to one of my favorite theories: that Rexy – the Tyrannosaurus Rex from the first ‘Jurassic Park’ film – is God.

No, really.

This theory is a combination of two different ideas: that the T-rex is the hero of the first film, and that she takes the role of God in a parable of the Garden of Eden, turning Rexy into a being executing divine judgment on everyone who crosses her path. But is there any truth to this idea? Is it possible that this famous dinosaur is really the supreme being, the creator of the heavens, the Alpha and Omega of everything?

No, of course not. It’s ludicrous. But for the fun of it, let’s take a look and see what conclusions we can draw, based on the evidence seen in the films.

In analyzing this theory, we need to lay out some ground rules about God. The most common characteristics of God are:

*God is everywhere.

*God is all-powerful and can do anything.

*God knows everything.

We also need to figure out what God wants. This is perhaps one of the most unanswerable of all questions, but for simplicity’s sake, let’s guess that God wants us to be good to each other. Therefore, we can assume that if God did come down to earth and took physical form, God would spend the lifespan of that body trying to help people live better lives and become more moral and fair.

Now, let’s apply all of these interpretations to Rexy, starting with God’s traits.

1. Is Rexy everywhere at once? No; she can be confined to paddocks, cages, etc.

2. Is Rexy all-powerful? No; she can break through fences, is quite strong, and surprisingly healthy as an old individual (Rexy is about 30 years old in ‘Fallen Kingdom’; the oldest known T-rex, Trix, died around the same age), but she cannot fly, shoot lasers out of her eyeballs, or summon black holes at will.

3. Does Rexy know everything? No. Rexy may be intelligent enough to test an electric fence when its power goes out, cooperate with other dinosaurs to kill even bigger and more dangerous dinosaurs, and destroy important objects that evil people want or need, but she is still distracted by flares and flashlights swung about by obnoxious children.

On the surface, these three points prove that Rexy is not God. To further prove this, let’s take a look at what she does in all the films:

‘Jurassic Park’

*Hides from the tour group

*Breaks out of her paddock after the power goes out

*Attempts to eat Tim and Lex

*Destroys one tour vehicle and shoves another off a cliff

*Gets distracted by a flare

*Injures Ian Malcom

*Eats a lawyer

*Sniffs Grant and Lex, but doesn’t eat them when she easily could

*Chases Ellie Sattler, Robert Muldon, and Ian Malcom in the jungle, presumably to get them out of her territory

*Eats a gallimimus.

*Saves Alan, Ellie, Tim, and Lex in the visitor center, which allows them to escape the island

‘Jurassic World’

*Eats a goat in her enclosure

*Follows Claire out of her paddock without trying to eat her

*Battles the Indominous Rex

*Gets injured fighting the Indominous Rex

*Teams up with Blue the velociraptor to defeat the Indominous Rex by shoving it towards the Mosasaurus paddock, where it is eaten

*Allows Blue to live, despite their species being mortal enemies

*Roars at the abandoned park.

‘Jurassic World: Fallen Kingdom’

*Attacks a team of mercenaries trying to salvage a DNA sample of the Indominous Rex.

*Tries to yank down a helicopter with said mercenaries as they try to escape.

*Allows the Mosasaurus to escape from Jurassic World and enter the open ocean

*Saves Owen from a Carnotaurus.

*Survives the eruption of Mt. Sibo and the destruction of Isla Nublar

*Seemingly attacks Owen after he and Claire take some of her blood to save Blue

*Eats a goat after arriving at the Lockwood Estate

*Eats Mills who wants to sell dinosaurs on the black market

*Destroys the only DNA sample of the Indominous Rex.

*Roars at a lion in a zoo.

Are these the actions of an incarnated god? No. Rexy destroyed the tour vehicles because they were unfamiliar objects and she considered them a threat. She attacked the Indominous because it was in her territory, and she ate Mills because he was easy prey.

However, it’s interesting to note that, starting with her saving Alan and the others in the visitor’s center, Rexy’s behavior starts to become more heroic as the films go on. If Rexy was God, then it’s logical that she would become a force for justice and righteousness. And with those facts in mind, let’s take another look at her narrative through the series, but rewritten to make her a divine being.

In ‘Jurassic Park,’ Rexy, having been sent by God to act as an embodiment of justice, has grown up and has been placed into a paddock, where she bides her time until she can break free and judge the humans on Isla Nublar. Finally getting her chance when the power goes out, she tests the fence and, confirming that there’s no electricity, escapes. She attacks Lex and Tim, but only because their yells and screeches annoy her. She turns her attention to Malcom, but upon realizing that he was only trying to save the children, she spares his life, and then, realizing how greedy Gennaro is, promptly eats him. She has the chance to easily eat Lex and Grant, but realizing that Grant is only trying to save the children, decides to spare the two. She thinks about trying to eat Tim, but decides to just get rid of them all by forcing them down into the jungle.

Later, she pursues Ellie, Robert, and Ian through the jungle to maintain her cover as an animal, while testing their will to survive. Deciding that they’re worthy, she lets them live.

After roaming the island and eating a gallimimus, she then realizes that the remaining humans on the island are innocent and in danger, and saves them from the pack of raptors at the visitor’s center, ensuring that they can escape to safety.

In ‘Jurssic World,’ Rexy – having been captured and put on display as a zoo exhibit – has allowed the humans to keep her like this, as she knows her presence delights other humans and helps educate them about the wonders of the animal kingdom. Plus, she gets free food, good medical care, and daily exercise and mental stimulation, so it’s a sweet deal.

https://youtu.be/-jE8v2TZasw

When the Indominous breaks out, she decides to remain in her paddock to see what humanity will do. Throughout the day, she carefully observes as they try to contain the dinosaur, and then save as many people as they can, and decides that the surviving humans are worth saving. Thus, when Claire finally releases her, Rexy attacks the Indominous without a second thought, seeing it as an abomination to the natural order that must be destroyed.

https://youtu.be/sXHsY1eoIzA

However, having not gotten into any fights in over twenty years, Rexy is quickly overpowered and almost killed, but manages to turn the tide, thanks to Blue’s intervention. Knowing that she lacks the physical strength to kill the Indominous herself, she instead cunningly pushes it back to the Mosasaurus pen, allowing the larger beast to finish it off. With the battle won, she debates whether to kill Blue, but, seeing as how she, too, is an innocent, she spares her and departs, allowing the humans on the island to flee.

https://youtu.be/oPS8-oRvVh4

Two years later, however, not all is well. While on a routine patrol in search of evil, Rexy realizes that a group of people have arrived. Hiding in the shadows, she studies them, only to quickly realize that they are mercenaries who have come for a grave and evil purpose: Retrieving a sample of the long-dead Indominous Rex. Furious, she deems them unworthy to live and attacks, trying to bring down their helicopter so she can destroy the sample, taking care to release the Mosasaurus as a backup plan. But unfortunately, she fails, and the Mosasaurus is unable to destroy it, allowing the mercenaries to escape.

Later, during the eruption of Mt. Sibo, Rexy comes across Owen, Claire, and Franklin. Recognizing that all three are fighting to save dinosaurus and live up to their responsibility as their creators and protectors, Rexy saves them all from a carnotaurus.

She allows herself to be captured by yet another mercenary group, pretending to be angry so she can keep up her disguise. When onboard the ship, she’s drugged; upon awakening when she has her blood drawn, she’s confused and angry, and roars at Owen and Claire, briefly attempting to injure Owen as punishment for taking her blood without permission. However, he escapes unharmed.

Rexy decides not to pursue the matter further, as she needs to bide her time for her bigger mission: Finding the Indominus Rex DNA sample, and bringing justice to those who want to create more abominations against God.

Eventually, Rexy arrives at the Lockwood Estate, but can only observe and study what’s going on around her. After managing to escape, she brings justice upon Mills for both murdering Lockwood and selling dangerous dinosaurs and dinosaur genetics to the black market by eating him, and then destroying the Indominus Rex sample, ensuring that no one else will ever be able to use it again.

And so, with her task completed, she sets out into the world to continue her divine mission of justice, which we’ll have to wait until 2021 to see.

While the idea that Rexy is God is still ludicrous, the idea that Rexy is divine actually might have some merit. When viewed through the mindset that she’s a divine being sent to enact justice, Rexy’s actions throughout the films, especially ‘World’ and ‘Fallen Kingdom’ give the theory some credence.

Although it’s highly unlikely to become official cannon, I like to think that Rexy is some sort of avenging angel who inhabits the body of a T-Rex and brings justice to all those who defy the natural order, or do harm to others. And indeed, throughout the series, all the humans who are either innocent or good survive every encounter with Rexy, while those who do evil or are greedy meet their demise.

This may be a goofy idea, an implausible one, and something that someone with too much time on their hands comes up with, but it does allow for subsequent viewings of the ‘Jurassic’ films to take on a new light, and help us see them in a new, unexpected way.