We all have our favorite moments in movies, books, and games, moments that stay with us long after the story is over. This column is my attempt to examine my favorite moments and see why they stick with me.
Why it’s great
Some great scenes feature drama, sadness, joy, or excitement, and others are – at first glance – rather ordinary. One example is Sarah Connor’s introduction in 1984’s, ‘The Terminator.’
On the surface, there’s nothing earth-shattering about this scene: Sarah drives to work, clocks in, delivers the wrong order to a customer, and gets ice cream dumped into her apron by a brat who was probably blasted into a charred skeleton by a T-800 for his unforgivable crime. It’s an ordinary, slice-of-life moment that shows us that the mother of humanity’s savior is a perfectly ordinary woman.
It’s also the last few hours of a normal life Sarah will ever have.
If you consider ‘Terminator: Dark Fate’ to be the official third film in the franchise, then the scene of Sarah going into the employee lounge and seeing that report about another Sarah Conner being killed begins decades of fear, horror, and knowing that she’s the only person who can stop a war that will end billions of lives. And even after she succeeds, she still loses her son and eventually learns that she only delayed the inevitable war of humanity vs machines. By then, she’s in her mid 50’s and will almost certainly live long enough to see that war start, and pass away among the ruins of humanity’s civilizations.
These kind of scenes rely on hindsight and re-watching (or re-reading) to deliver their emotional punch of knowing that after this scene is over, our protagonists will never have another ordinary day as long as they live. But these scenes also encourages their audiences to realize that we often take so much for granted, assuming that our steady jobs, our families, and our blessings will last for years to come. But all it takes is one bad day to destroy everything we care about, and the lives we rebuild afterwards may never be truly happy again.
2017 was an exciting year for Terminator fans. Not only was it announced that we would get a new film that would be a direct sequel to ‘Judgement Day,’ but it would feature Arnold Schwarzenegger returning as the T-800, and Linda Hamilton reprising her role as Sarah Connor on-screen for the first time since 1996’s, ‘T2-3D: Battle Across Time’. It was a Terminator fan’s dream come true; yet, as filming began and the first promotional material came out, I realized something.
Where was John Connor?
Like many fans, I was wondering why there were no casting announcements for John. Was he not in the film? Were they trying to keep his role a secret? It wasn’t until July of 2019 that James Cameron announced that Edward Furlong would indeed be returning as John, and I was ecstatic. After almost 30 years, we were finally going to have Arnold, Linda, and Edward on screen together again!
Then the movie came out.
Predictably, fans of the Terminator franchise were outraged at John’s death. We had followed John’s exploits, adventures, and growth in TV shows, books, video games, and comics for almost 30 years, only to see him be senselessly killed off. There was no historic last stand, inspiring final words, or seeing John sacrificing himself to save the human race. Instead, we got to see all the struggles and sacrifices to protect him in T1 and T2 be rendered meaningless. ‘Dark Fate’ was the ultimate slap in the face to John, mocking him and his fans.
But what if it isn’t?
Like most Terminator fans, I was angry at John being killed. I had hoped that we would get to see a grown-up John (played by Mr. Furlong) rising from an ordinary life to take up the mantle as humanity’s savior with his mother and a T-800 one last time. Instead, I left the theater disappointed at what could have been.
Yet, as the months have passed, and I’ve thought about the film, I’ve come to realize that, while John’s death was still a mistake, ‘Dark Fate’ shows that he’s still the most important character in both the film and the series. He’s so important that if he were removed from the movie entirely, the resulting consequences would have led to the extinction of the human race.
Madness? The desperate grasps of a fan trying to make sense of a senseless and tragic event? Perhaps. But we’re told on the C-5 Galaxy in the third act that Dani led humanity to victory over Legion, the malevolent AI (‘we took our world back’). In order for that to take place, two things must happen:
1. Dani has to survive.
2. Dani has to learn how to become a leader.
‘Dark Fate’ spends most of its time fulfilling the first task. Dani initially is protected by augmented super-soldier Grace; yet, while Grace is a powerful warrior, she is unable to stop the REV-9 on her own, and would have been killed with Dani in Mexico without Sarah’s intervention. But even with Sarah, the group still wouldn’t have been able to destroy the REV-9. They need Carl – the T-800 who killed John – to finally defeat the REV-9 for good and ensure Dani’s survival.
Yet, Sarah and Carl wouldn’t have been able to help Dani if it wasn’t for John. If we imagine a future where he had lived, Sarah would not have known of Dani’s existence, and would not have come to her rescue on the bridge in Mexico. Dani and Grace would have been killed, and Legion would have won the second machine war.
Carl, too, would not have been present to protect Dani if John had lived. If, say, Sarah had managed to destroy him, then there would have been no T-800 to take on the REV-9. Carl was the one who ultimately had the necessary strength and endurance to destroy the REV-9, but he never would have done so had he not eventually realized what he had taken from Sarah, and then willingly sacrifice himself in the end.
‘Dark Fate’ ends with Sarah setting out to train Dani in how to become a leader and a warrior. Here, too, John also comes into play. Because of Sarah’s experience hunting terminators before and after John’s death, she is the only person on Earth who can train Dani how to fight and destroy them. Furthermore, Sarah still has all the tactical and leadership training she has from the first two films, which she will presumably pass on to Dani as well. With all three sets of skills given to her, Dani will have all she needs to fight – and ultimately destroy – Legion.
Though the mantra of the Terminator series is, ‘There is no fate but what we make for ourselves,’ it almost seems as if the opposite is true: Humanity is destined to fight malevolent AI at some point. It may be Skynet, it may be Legion, but a war is inevitable. Yet, it also seems that there will always be a figure who will rise up and lead humanity to victory. For years, we’ve believed that John was that leader, but ‘Dark Fate’ shows that there can be multiple leaders. When we step back and look at the broad picture, it seems – hard as it is to accept – that John’s death is necessary in the Terminator universe. John, Sarah, and Uncle Bob succeeded in destroying Skynet, and in the process, John had fulfilled his purpose of saving the human race. But would he have been able to do the same against Legion? While fans – myself included – would have loved to see a middle-aged John fighting and defeating an enemy neither he nor Sarah know anything about, I doubt he would have been able to pull it off.
To use a war analogy, let’s say John is the greatest Allied commander of World War 1. His knowledge and experience in trench warfare, chemical warfare, and the like are without compare, and he leads the Allied forces to victory. He’s hailed as a hero and the savior of the civilized world. But what if he suddenly had to lead the allies again in World War 2? While many principles of warfare would remain the same, John’s skills would be obsolete against opponents who have much better technology, weapons, and tactics than he went up against decades earlier. And while there’s a chance he can still win the war, having a younger person who learned from the lessons of the first, and is more familiar with the latest technology, has a better chance of victory.
If the story of the Terminator franchise is humanity’s ultimate victory against malevolent AI, then John can be seen as the commander who, having stopped the machine’s first offensive, ensures that his successor can see the war through to its completion. He is the spark that sets humanity’s ultimate victory in motion. Without John, neither Sarah or Carl would have saved Dani. Without him, Dani would have died.
Without John, humanity would have perished… But it didn’t happen.
Whatever you may think about the movie, in my opinion, ‘Dark Fate’ proves that even in death, John is still the savior of humanity.
Or, if you prefer, you can pretend that this is how the movie ended.
‘Terminator: Dark Fate’ was intended to be the start of a new ‘Terminator’ trilogy that would eventually close the book on the story that began all the way back in 1984. However, despite making over $249 million dollars at the box office, ‘Dark Fate’ appears to signal the end of the Terminator franchise (for now, at least). Yet, despite the overall lukewarm reception, and disagreeing with some of the story choices, I’m still a fan of the film, thanks to the enjoyable cast (especially with Linda Hamilton and Arnold Schwarzenegger back together) and action scenes.
However, when writing about the film two weeks ago, I realized that ‘Dark Fate’ is surprisingly similar to 2016’s, ‘The Force Awakens’: Both are sequels to popular movies that feature new female leads, have the new antagonist that’s almost identical to the old one, have a character from the original series be killed, and end with the main leads heading out to fight the new antagonists.
Yet, while I was disappointed with ‘The Force Awakens’ for feeling too much like a remake of ‘A New Hope’ with elements from ‘The Empire Strikes Back’ sprinkled in, I had no such problems with ‘Dark Fate’, and ever since realizing how similar both movies are, I’ve been brainstorming why that’s so, and I think I’ve figured it out: The main reason I prefer ‘Dark Fate’ over ‘The Force Awakens’ is how they treat characters from the original series. In ‘Awakens’, most of them are given only minor roles, with only Han, Chewbacca, and Leia getting the most screentime. In ‘Dark Fate’, though, Sarah and the T-800 have large roles to play, with Sarah being newcomer Danni’s mentor throughout the runtime, and the T-800 acting as a bodyguard/protector who ultimately destroys the REV 9, ensuring Danni’s survival.
In short, ‘Dark Fate’ brings back legacy characters and gives them plenty to do alongside new characters. ‘Awakens’ may bring back more of its original cast, but only gives two (Han and Chewie) substantial roles.
When writing legacy sequels, or sequels that take place a long time after the previous entries, it’s important to let original characters have the limelight: longtime fans love seeing their favorite characters again, and it’s a good bet that newer fans enjoy seeing them, too. Despite killing off John Connor too quickly and easily, ‘Dark Fate’ honors and respects Sarah and the T-800 by giving them a lot to do and making them vital to the story. Considering how it’s unlikely we’re going to get a new Terminator film for a long time – if ever – it was a wise choice.
Ever since his first appearance as a masked killer in the 1981 film ‘Friday the 13th Part 2,’ Jason Vorhees has become the poster child for slashers who take out horny teenagers as brutally (and creatively) as possible. Being such a staple of pop culture, it was inevitable that he’d eventually face off against other pop icons, the most famous being a fight against Freddy Kruger in 2003’s ‘Freddy vs Jason.’ But many of these fights have taken place in fan videos, featuring Michael Myers, Pennywise the Clown, Leatherface, and even Barney the Dinosaur. Today, we’re taking a look at what would happen if Jason Vorhees took on one of the toughest women in cinema: Sarah Conner from ‘Terminator 2: Judgement Day,’ courtesy of Youtube creators WTFLOL
Having a plausible explanation as to why two characters are fighting makes it easier to accept such a fight
When most pop culture characters fight, plot usually comes second to seeing them duking it out. But having a strong reason why two different characters from two different universes are fighting each other makes said fights easier to accept. ‘Conner vs. Jason’ has a particularly good one: Sarah, while en-route to foil Cyberdyne yet again, has car trouble and breaks down near Camp Crystal Lake. While searching for help, she comes across helpless campers being slaughtered by Jason, and rushes in to help. Not only is this a plausible way for the two to meet up, but it also helps us root for Sarah by showing how she doesn’t hesitate to help others in trouble, even if she doesn’t know them.
In our own stories, it’s a good idea to set up the fight in a way that feels logical. While it’s tempting to throw your two (or more) duelists together as quickly as possible, setting up why they’re fighting will make your story more believable, and tell your audience that you’ve thought this out beyond the standard, ‘Hey, wouldn’t it be awesome if ______ and ______ fought each other!?”
Consider limiting how much of your intercontinuity fight doesn’t revolve around the title characters fighting
Perhaps more than any other type of story, your audience knows exactly what they want when they see a duel film (watching the title characters fighting each other). They won’t be interested in anything else that doesn’t lead up or add to those moments. Thankfully, ‘Conner vs. Jason’ smartly limits those scenes to Sarah going to Crystal Lake, and the camp’s campers being killed off by Jason in quick order, knowing that audiences don’t have any interest in the campers being developed when they’re only going to be killed off.
In our own stories, while some buildup and setting the scene is always necessary, cutting out everything that isn’t necessary to set things up, or that doesn’t relate directly to two famous characters fighting is a good idea; our audience will thank us for getting to what they came to see in a quick and timely manner.
Consider having the nerd help save the day
Pity the poor nerd: this unfortunate character continues to be relentlessly mocked in pop culture, portrayed as being wimps, cowards, and having zero social skills. Yet, don’t underestimate them: while the nerd in ‘Conner vs. Jason’ first comes off as the stereotypical game-obsessed dweeb, he quickly comes through by using his smarts to tell Sarah about Jason’s only weakness, and risks his own life to lure Jason towards said weakness at great risk to himself (and saving Sarah in the process).
While it’s easy to use the nerd as an easy source of humor and comic relief, it’s much better to have them have hidden depths: Nerds may have a love of all things video games, movies, anime, and cartoons, but they’re still people with weaknesses and strengths, and showing those, whether it’s bravery, strength, or resourcefulness will help make them memorable.
Consider poking fun at a character’s mythology in your crossover fight
Little moments of humor can often be the most memorable parts of any story, and in a crossover fight – where drama and strict adherence to the rules of either universe are put aside for the sake of awesomeness – poking fun at both story’s mythologies can make funny moments even funnier: my favorite here comes when the nerd loudly yells about smoking and having lots of premarital sex with naked women, causing Jason to immediately ignore Sarah and head after the nerd. Another has the Terminator, after blowing Jason to pieces, saying his classic trademark about how he’ll be back. Is it cheesy? Yes, but it’s funny, and a good reminder on that we watch these crossovers to see how awesome they are; having some humor – even if it’s slightly out of character – only makes a fun experience even more enjoyable.
Avoid having someone come in and steal a victory at the end of a crossover fight
While having the Terminator suddenly show up to save the day at the end of the video is undeniably awesome (The Terminator vs Jason? Heck yeah!), it does have the unfortunate effect of making the whole ‘Sarah vs. Jason’ fight somewhat pointless, as neither of them determine the outcome. While it’s common for crossover fights to end in a draw (so as to not offend fans of either character by having them be defeated), having neither side winning, or having both off each other, having a third party arrive and end the fight by themselves feels like a cop out. Even Freddy vs Jason made this error by having one of the teens decapitate Freddy at the climax of the big fight, instead of Jason.
When writing our own crossover fights, having them end because of the results of the fighter’s efforts – instead of an outside force – will avoid the feeling of the fighters and the audience being cheated out of a fair match. If you must bring in a third party, foreshadow it before the fight, or at the very beginning (such as how Sarah Conner helps Pops during the Terminator vs Terminator duel in ‘Terminator: Genysis’), but still avoid it if you can.
An Alternate Universe version of ‘Sarah Conner vs. Jason Vorhees’ that learned from its mistakes
While en-route to take out a subdivision of Cyberdyne, Sarah Conner’s car breaks down outside Camp Crystal Lake. Setting out to search for help, she hears helpless campers being slaughtered and runs to help. While she’s too late to save everyone, she does save one nerd from Jason. The two quickly hatch a plan to lure Jason to the camp’s lake, eventually managing to get them there, thanks to the nerd’s smarts, and Sarah’s combat skills.
However, when trying to knock Jason into the water, Sarah – injured from her fight – runs out of ammo for her weapons. Using herself as a battering ram, she tackles Jason, managing to shove him into the water.
The nerd anxiously tries to decide whether he should jump in after Sarah to save her. Then she appears: Injured and bleeding badly, but alive. With Jason defeated and trapped at the bottom of the lake, the nerd helps her back to the camp’s main building to patch her up and call for help. Along the way, he asks if she’s interested in a date, to which she replies that he’d better not hold his breath.