My 30 Favorite Moments From The Jurassic Park Saga

Last year marked the 30th anniversary of Jurassic Park, one of the most important, and influential movies of the 90’s. With stellar performances, a great story, amazing visuals, and a breathtaking musical score, Jurassic Park remains a timeless classic that is as enjoyable and thrilling today. While it would be customary to do a retrospective of the film (albeit, a year late), the recent announcement of an upcoming seventh film gave me the idea to go through the series and list my favorite moments from all six films up to this point.

30. Finding Eric’s Camera

Anyone can relate to parents wanting to save their child from danger, but Jurassic Park 3 has a great scene that emphasizes the fear that the Kirbys have about their missing son. While traveling through Isla Sorna’s jungle, the group finds the parachute that Ben and Eric used for their ill-advised tour, along with Eric’s camera, allowing them to see what happened leading up to the crash. It’s harrowing seeing Eric and Ben’s horror at realizing that they’re going to crash, and moving seeing Amanda clutching Eric’s life preserver, powerless to stop something that already happened.

Then, to make this scene even more harrowing, we get a very effective jump scare of Ben’s decomposing corpse. While the Jurassic series often pushes it’s PG-13 rating, it’s surprising that something this gory made it into the finished film (and inspired a lot of fan theories about what happened to Ben; the current consensus is that he died from internal bleeding due to injuries sustained from the crash and rapidly decomposed in the tropical climate.)

29. Alan!

The Jurassic series has had its ups and downs over the years, and Alan’s dream of a velociraptor talking to him in the third film has been touted as the series’ worst moment. Yet, I’ve always loved it: it’s logical that Alan would have nightmares about what he went through on Isla Nublar, and I love the humor of seeing a dinosaur casually talking to him (complete with its claws holding onto the seat in front of it), and it’s impressive how the filmmakers managed to make the animatronic lip-synch Billy’s voice (its tongue even moves!). It may be a goofy moment, but I like it.

28. Escape From Malta

Leading up to ‘Dominion,’ I had hoped that we would get scenes of dinosaurs running amok in urban areas, but, alas, the Malta sequence is the only part of the film that embraces that idea. Still, it’s not a bad scene, and I especially like the climax, which features Owen racing after Kayla’s plane as it takes off while being pursued by two Atrociraptors. We’ve got a very effective ticking clock (the plane taking off), a dangerous threat (two tireless raptors who can keep pace with a motorcycle), and a clever way of getting rid of them once Owen’s onboard (letting the sliding motorcycle knock the last one out of the plane and into the ocean). Great stuff!

27. To Free or Not To Free

One of the most dramatic moments in any story is the point of no return, a line that, once crossed, is impossible to undo, and ‘Fallen Kingdom’ has a great one: with all the dinosaurs at the Lockwood Estate at risk of being gassed to death, Claire has to choose whether to set them free, or leave them to die. As Owen says, if she pushes the button to free them, there is no turning back. Then, in a subversion, Claire chooses to let them die… only for Maisie to then free them, dooming humanity to having to live with carnivorous dinosaurs running about and eating people, cementing her as the greatest force of evil in the Jurassic universe.

‘Fallen Kingdom’ is admirable for willing to break the saga’s status quo, but this moment is the one that truly separates the ‘Escaping from a dinosaur infested island’ era from ‘Dinosaurs running amok all over the planet’ era in a way that cannot be undone, and the film’s to be commended for having the courage to go through with it.

26. Return to the Visitor’s Center

Over the years, I’ve come to appreciate how Jurassic World does its own thing instead of trying to be a remake of Jurassic Park, a rarity in all the legacy sequels we’ve gotten over the past several years. But there’s a moment where Zach and Grey come across the ruins of the original visitor center from the first film, and what follows is a nostalgia-filled trip back through time as they go through the rotunda, the dining room, and then come across those famous goggles and the very same jeeps that Alan and co. rode in when they first arrived at the island.

While this scene may be fan service, it’s fan service with a point, giving the kids a way to get back to the main park. And as someone who was only seven when the first movie came out, I had a lump in my throat going back to where it all started. World set out to tell its own story, but it didn’t forget what came before, and that it’s okay to visit the past every now and then.

25. The Indominus Rex Breaks Out Of Its Paddock

When introducing a new villain, any story has to give them a big moment to prove how dangerous they are. Jurassic Park had Rexy breaking out of her pen, destroying a car, and eating a lawyer. Jurassic Park 3 had the Spinosaurus tear a plane to shreds and kill a T-Rex, and Jurassic World’s introduction to the Indominus showcases not only its strength and power, but its intelligence: it not only lured people into its pen by making them believe she escaped, but also deliberately waited to eat the security guard, so as to let him realize how he was already dead and couldn’t do anything about it. Even better is that we get to see Owen’s resourcefulness is by having him douse himself with motor oil to make the Indominus find him unappetizing, cementing his status as a smart, no-nonsense guy, and a worthy heir to Alan Grant as a dinosaur expert/action hero.

While this scene does have quite a few lapses in logic, it’s a memorable introduction to the series’ newest apex predator.

24. Claire Escapes The Therizinosaurus

When compared to the first, second, and even third films, the Jurassic World trilogy was light on horror, especially Dominion. But this scene more than makes up for it, where Claire comes face to face with the Therizinosaurus, a truly bizarre dinosaur that looks like the offspring of Freddy Kruger and a demented ostrich. Half-blind and hyper-violent, this plant eater acts like a slasher villain, slowly and methodically walking after Claire as she scrambles to reach safety, knowing full well that if the thing catches up to her, she’s dead. Unfolding without any dialogue, and scored by a haunting drone, this is chilling stuff.

23. Indominus Rex vs Ingen Soldiers

Despite the series as a whole being about the conflict of man vs dinosaur, the Jurassic series has surprisingly few scenes of humans actually fighting dinosaurs. Taking inspiration from ‘Aliens,’ this scene showcases how such an encounter might go, and while things would have gone differently if the soldiers had rocket launchers, high-caliber rifles, and the like, it still shows us just how dangerous the Indominus is; so much so that, after this scene, the goal is no longer to contain the beast, but to evacuate the park before it can kill anyone else.

22. The Raptor Jump Scare

In my opinion, this is the best jump scare in the Jurassic series. By showing Sarah looking outside the shed and not seeing anything, you expect that it’s safe for Kelly to get out of the shed… only for a raptor to nosedive into the hole seconds later. I still remember jumping in my seat when that happened, along with most of the audience!

21. The Ringtone of Doom

I’ve written before how much I love this scene, and it remains Jurassic Park 3’s most clever moment: by having Eric hear the jingle from his dad’s phone, he thinks his parents are nearby, and turns out to be right, leading to the two groups being reunited, only to realize that no one has the satellite phone… at which point it goes off again, revealing that the phone is inside the Spinosaurus’ stomach, and that said beast is patiently watching the reunion.

This is a brilliant moment because at this point the audience has forgotten about the satellite phone and thinks that Paul Kirby still has it, only to realize with the others that he doesn’t. Having the jingle be so cheerful happy and uplifting also creates a funny contrast to the dire situation, making it the icing on a great scene.

20. The Spinosaurus Destroys the Plane

Built up as the new super-predator of the franchise and successor to the T-Rex, the Spinosaurus needed to make a big first impression, and boy did it ever. Not only does it frighten off two battle-hardened mercenaries (and their booking agent), but it survives being rammed by a plane, and then tears the plane apart like it was made out of cardboard, forcing Alan and the others to run for their lives. It’s a great introduction to the power and strength this beast has, and shows the audience that this newcomer is just as fearsome as the rexes who came before it.

19. Retrieving the Bone Sample

One thing I wish the Jurassic series did more often was lean heavily into the horror angle of humans trying to escape dinosaurs, something that primarily happens only in the first film. Fallen Kingdom comes close, though, with an opening scene that’s not only a great way to start the movie, but also is an effective mini-horror film in its own right. Not only is it … *groan* … a dark and stormy night, but the deaths are so unnerving. Not only do we not see the submarine crew’s deaths, leaving the horrifying details to our imagination (according to the junior novelization, the submarine was swallowed, meaning they were going to die screaming in the Mosasaurus‘ stomach), but then the radio operator, who just narrowly avoided being left behind to die, then gets eaten alive by the Mosasaurus, too. These deaths prey on our primal fears of being eaten, and very well to boot.

18. The Dying Apatosaur

For a series focused on dinosaurs attempting to eat humans, and humans trying not to be eaten, there aren’t many moments of the two interacting that doesn’t involve violence. This is one of the more touching moments, if a sad one; as any pet owner can attest, when an animal is hurt, you just want to help it, even if all you can do is just be with it as it dies, as Owen and Claire do, and in the process, Claire realizes that the dinosaurs in the park aren’t just attractions to be used for profit, but living beings, starting her journey from a typical money-focused executive to dinosaur advocate.

17. The Boat Attack

While the actual climax of Jurassic Park 3 is… not as exciting as it should have been, there’s no denying that the boat attack scene beforehand is a great way to wrap things up: having a battle on a boat during a storm at night was a nice chance of scenery from the visitor center of the first film and the San Diego chase in the second. The tension of Alan trying to call Ellie is great, and Paul Kirby gets his chance to shine by risking his life to draw the Spinosaurus away from everyone else, letting Grant drive it away via a flare gun, nicely echoing how he distracted Rexy with a flare in the first film. The whole scene is arguably ‘3’s best scene, and a good way to wrap things up and send the Spinosaurus off in style.

16. Nighttime Visitor in San Diego

Like so many others, I had high hopes that Dominion would have dinosaurs roaming through forests, parks, and neighborhoods, where panicked ordinary people would fight to survive against prehistoric predators. What I didn’t know is that the the scene of the Bull T-Rex wandering through a neighborhood at night was the best we were ever going to get.

There’s something so eerie about seeing this enormous dinosaur walking through the empty, silent streets, and it’s easy to imagine the terror of someone going out for a late-night walk, only to come face to face with this thing and not knowing what to do. And then we get to see an ordinary family dealing with a dinosaur in their backyard with shock, disbelief, and screams of terror.

While the Rex’s subsequent rampage through the streets of San Diego is fantastic, I prefer this scene for its more intimate, quiet, and intense atmosphere, and how it serves as a bittersweet reminder of what Dominion could have been.

15. The Death of the Brachiosaurus

If you want to get the tear ducts flowing in a story, kill off a beloved animal. Nowhere is that more true than this, the saddest scene in the entire Jurassic series, and the only time I almost cried. After the exhilaration of seeing Claire, Owen, and Franklin managing to escape Nublar before it’s engulfed in lava, we’re suddenly hit with seeing a Brachiosaurus arriving at the docks just a minute too late. What makes it worse is that she clearly knows that humans are friendly, and all but begs for them to come back and save her before she’s engulfed in smoke and fire. And to twist the knife in as deeply as possible, ‘Kingdom’s director, J.A. Boynetta, confirmed that this is the exact same Brachiosaurus Alan, Ellie, and Ian saw when they arrived on the island in 1993. She was the first dinosaur we ever saw, and now she’s the last one we see as Isla Nublar is destroyed. She was there for the beginning of Jurassic Park, and the was there for its end, in the saddest possible way

14. Jurassic Park’s Ending

After all the action, the horror, and the struggle to survive, Jurassic Park ends not with a bang, but with a quiet, thoughtful scene of everyone in the helicopter as it flies away to safety. Not a word is spoken, yet so much is said: Hammond reflects on the death of his dream, Alan realizes that he doesn’t dislike kids anymore, and then, looking out on the pelicans outside the helicopter, the film reminds us that, even though dinosaurs don’t belong in our world, their descendants live on, all backed by a wonderfully quiet, almost lullaby-like piece of music by John Williams, and a flight into the sunset. A perfect ending to a near perfect film.

13. Alan, Ellie, and Ian Reunite

In a movie filled to the brim with dinosaurs, it’s surprising to me how one of my favorite scenes in Dominion is when Ian, Alan, and Ellie reunite for the first time in almost thirty years. As a kid who fell in love with the original movie back in the day, seeing these three again is like reuniting with friends you haven’t seen for decades, and discovering that they still get along well and are as charismatic and charming as ever. And it’s amazing to think that this, to my knowledge, the ONLY time in a theatrically released legacy sequel where all of the original protagonists come back, are played by the same actors, and share the screen at the same time, something that the Matrix, Indiana Jones, and even Star Wars series couldn’t pull off.

12. Hammond Realizes that his Dream is Dead

Jurassic Park is full of scenes that you don’t care about when you’re a kid, but that hit much harder when you’re an adult. Remembering Petticoat lane is one of them, and arguably hits the hardest, as it’s Hammond’s turning point in the story. Here, he explains why he made Jurassic Park in the first place, and in the process shows who he really is as a person: Someone who isn’t interested in money, but a dream, and who still believes it can work despite everything that’s happened. But then Ellie points out that despite all the technological marvels at John’s command, the park has still failed and people are dying as a result. The resulting silence from John – done so beautifully by Richard Attenborough – sells that no matter how badly he doesn’t want to believe it, he realizes that Ellie is right: his dream isn’t going to work, and people are dying because of his mistakes. This is the moment that John’s dream truly dies… and he turns away from trying to save it, and focuses only on saving as many lives as he can.

This is, in my opinion, one of the most moving scenes in the entire series, and one of its best character moments, all set to a beautifully bittersweet lullaby courtesy of John Williams.

11. Hammond’s Dream Comes True

What if Jurassic Park was a success? It’s an idea that fans tossed about for years after the first movie was released, and World lets us see exactly how it would turn out, and it’s a blast! Seeing the park fully operational, the visitor’s center being open, the getting a brief glimpse of Rexy eating a goat, kids playing with baby dinosaurs, and above all, showing everyone having a wonderful time is a heartwarming way to show that John Hammond’s dream did come true, and it was everyone he could have hoped it to be… even if it’s not going to last.

10. Roland Tembo vs the Bull

Though it takes a while for him to appear, Roland Tembo establishes in his very first scene that he’s a no-nonsense, experienced hunter who has faced the most dangerous beasts nature has to offer. But it isn’t until late in The Lost World that Tembo truly demonstrates that experience with the bull T-Rex. Alone, and wielding only a tranquilizer gun, he demonstrates how he has nerves of titanium as he shoots the bull, then calmly backs away while reloading as a very pissed off dinosaur starts after him. If I was going onto a dinosaur-infested island and had to choose only one person to take with me, Tembo would be my man.

9. Hearing the T-Rexes roar

As an 11 year old kid, I was the perfect age to go see The Lost World in theaters, which I did with my friends after celebrating my 11th birthday (complete with Lost World-themed paper plates, cups, and the like), and the one thing I was looking forward to most was seeing the T-rex again. And just like the first film, The Lost World takes its time before revealing the island’s apex predator, letting us stew in anticipation. And then this happens:

I remember freezing up when I heard that roar in theaters and realizing that my favorite dinosaurs were about to show up. As an adult, I still love this scene, and consider it the best ‘oh shit’ moment in the series: we know the T-rexes are coming, and they’re pissed.

8. Attack on the Trailers

Matching the intensity of Rexy’s attack on the cruisers in the first film was always going to be a tall order, but The Lost World lives up to it with two Tyrannosaurs attacking Ian and Co’s (very cool) trailer. But the Rexes aren’t attacking with the mindless determination of animals wanting food: the Rexes are attacking the trailers as payback for Ian and his companions seemingly kidnapping their child. The dinosaurs effortlessly overturn the back half and then shove the trailers off a cliff, showing how even humanity’s most advanced machines and vehicles are no match for the destructive might of two of nature’s most terrifying predators. Then, after Eddy’s heroic efforts to save his friends, they come back and kill him in the goriest death in the series, capping off one of the most intense and nail-biting scenes in the franchise.

7. Hammond Says Goodbye to Jurassic Park

As a kid, you love Jurassic Park for the dinosaurs. When you’re an adult, you still love the dinosaurs, but you also learn to love the human characters and their journeys, and none of them have a stronger journey than Hammond. He starts out as a cheerful, good-natured, and naive businessman before realizing that his dream was never going to work, and that people have died because of it. While he’s wise enough to accept this and work to save as many lives as he can, the end of Hammond’s journey is, for me, the saddest moment in the film, and the series as a whole: On the precipice of being evacuated to safety, John stops to look back at the park he’s spent so many years creating. And like his realization that it wasn’t going to work after talking with Ellie, Richard Attenborough conveys Hammond’s regret, heartache, and grief without a single word, all backed up by John William’s beautifully bittersweet music, and the quiet call of the Brachiosaurus. It’s so wonderfully, beautifully heartbreaking.

6. The Philosophical Discussions about the Park

Much has been written over the years about the World trilogy’s attempt to engage in philosophical discussions about the ethics of breeding dinosaurs and playing god, but those efforts were doomed to fail. Why? Because the first film has the best philosophical debate about those issues. Up to this point, everyone is still in awe at what they’re seeing at Isla Nublar, yet there are hints everywhere that not everything is as perfect as it appears: from Grant and Co. escaping from the science ride, to Ian pointing out that life cannot be controlled, and how the raptors are more intelligent than they should be. Then comes lunch, where Hammond’s endless enthusiasm and eagerness to open a park full of dinosaurs for people everywhere to enjoy, runs into its first real test as Ian, Ellie, and Grant make excellent points that maybe this isn’t such a great idea, and that it might not have been better to do it in the first place… and with the benefit of hindsight, we see how all of them are right.

One other reason I like this scene so much when watching it with adult eyes is Hammond telling Gennaro that everyone in the world has the right to enjoy seeing the dinosaurs. This solidifies that he is not a greedy man who only wants money, but to really share something wonderful with others. If only we had more entrepreneurs and CEO’s like that in both fiction and real life.

5. Two Generations Against the Giganotosaurus

One of the biggest draws of Dominion, was seeing two generations of Jurassic survivors meeting each other, and it lives up to the hype. And unlike so many other ‘two generations meet’ scenes in other legacy sequels, there’s no competition or competing with each other: Both the Park and World generations get along just fine, and their first scene after meeting each other for the first time is to team up to survive being stalked by the Giganotosaurus. Everyone gets a moment to shine, from Owen and Claire getting into hand-to-claw combat with the Giga, to Alan pulling Ian to safety, and Ian facing the beast head-on to buy the others time to break into the outpost. Dominion may not be that great of a film, but this scene is so much fun.

4. Rexy’s Breakout

From the moment Hammond gleefully tells Alan and Ellie that Jurassic Park has a T-rex, the audience is left waiting for it’s appearance; if a Brachiosaurus is brought back to life so beautifully on screen, how will the T-rex be handled? We have to wait for that moment to arrive, but the buildup is never frustrating or annoying, and the closer we get to the rex’s appearance, the more excited we become. And then, when we finally see the poor goat, we know the moment’s here, and the film doesn’t disappoint: if the introduction of the Brachiosaurus inspired awe and wonder, than Rexy (the name given to the Rex by the fandom at large) inspires terror and fear at seeing one of the most powerful animals to ever live walking the earth. And her attack on the cruisers is a masterpiece of tight editing, outstanding sound effects, phenomenal CGI, and a complete lack of music, showing us what would would really happen if humans came face to face with such a dangerous animal.

Even now, over thirty years after it was released, the scene is as powerful now as it was then; Rexy’s breakout is the scariest scene in the franchise, one of the greatest film scenes of the 90’s, and arguably one of the greatest dinosaur scenes ever put to film.

3. Rexy vs the Giga

As the climax and supposed end to the Jurassic saga, Dominion needed to go big for its climax, and it doesn’t disappoint, featuring a showdown between Rexy and the Giga in Biosyn’s courtyard surrounded by a forest fire, while the two generations of survivors try to escape and get to safety.

While this finale is similar to the climax of World, we have the added bonus of seeing Alan, Ellie, and Ian in action once again (love that shot of the three of them standing before the Giga), and what’s at stake: If they all fail to escape with Dr. Wu, any hope of stopping the locusts are lost, which means that they will eat the world’s wheat, leading to mass starvation across the globe. But they make it, the Giga is defeated, and Rexy, having fought her last battle, is allowed to finally retire and live out her days in peace in the Biosyn sanctuary. Yes, there are some issues with the scene (the camera work isn’t the best), the Spinosaurus doesn’t show up like many fans wanted it to, and the Giga doesn’t deserve the death it gets, but gosh dangit, I’m a sucker for dinosaur vs. dinosaur fights, and seeing Jurassic’s longest-lasting dinosaur, three of its best characters, and the spectacular arena all at once still makes this a fun scene.

Plus, as an added bonus, the film solidifies that while Rexy may be old (at this point in the films she’s 34, where the oldest known T-Rex in real life was 30), she can still win fights against younger, stronger opponents by using her wits and cleverness instead of brute strength and speed.

2. Rexy vs the Indominus Rex

When we’re kids, we all have our favorite characters from books and movies, and one of the greatest pleasures in life is having those same characters come back when we’re adults and be as awesome as they ever were. Jurassic World has one such moment near the climax, where Claire has run out of options to stop the Indominus Rex: soldiers didn’t work; a helicopter assault didn’t work. Trained velociraptors didn’t work, and now she has only one, final, desperate option… releasing Jurassic World’s T-Rex. And this isn’t some random T-Rex; this is Rexy, the same T-Rex from the first film, coming back after 22 years to save the day once again.

There are scarier moments in the Jurassic series, more majestic moments, and more moving moments. But none of them are as fun as this; The last time I had seen Rexy, I had been in grade school. Since then, I had gone through grade school, high school, and graduated from college, and as I watched her emerge from the darkness of her paddock to the shouts and cheers of the audience – mine included – all those years just melted away, and for four glorious minutes I was seven years old again, watching my favorite childhood dinosaur saving the day once more, and it. Was. AWESOME.

But what could top this, the most awesome moment of the series? Easy…

1. Welcome to Jurassic Park

29 years. Six movies. Countless video games, and one animated series has produced so many incredible moments in the Jurassic Park franchise, but no scene is as famous, iconic, and above all, awe-inspiring as the moment that started it all… the moment we finally see a dinosaur.

For the very first time, we had a photo-realistic, computer-generated animal on screen, and it is completely believable. Not only is the visual effects, music, and acting of this scene great, but it has something more important: the all-consuming awe of seeing something impossibly beautiful, to the point where even Ian, the cynical nihilist, can’t help but smile in wonder, all building to a crescendo when Alan, Ellie, and John see dinosaurs roaming the Earth for the first tine in 66 million years.

Every sequel in the series since has tried to re-capture the awe and wonder of seeing dinosaurs, but nothing can top this, my favorite scene of the Jurassic saga, one of the greatest movie moments of the 90’s, and one of the most famous in cinema history.

For extra fun, here’s a breakdown of all the characters, dinosaurs, locations, and vehicles featured in the list:

Films with the Most Moments:

Characters Who Appear the Most:

Dinosaurs Who Appear The Most:

Movie Environments that Show Up the Most:

Vehicles That Show Up the Most:

The Type of Weather In the Scenes:

The Time of Day in the Scenes:

Comparison of Scenes That Have Dinosaurs vs No Dinosaurs:

Thus, if I were to take the data from these graphs, plug it into an AI script generator, it would probably come out with a story like this:

Alan Grant, Ian Malcom, and Claire Dearing – along with a group of expendable mercenaries – journey into the jungles of Jurassic Park between the events of the first and second film with a fleet of planes carrying a lot of jeeps. While on the island, they have to endure repeated attacks by Brachiosaurs, Apatosaurs, and Parasaurolophus’ as they are stressed out by rampaging Tyrannosaurs, Spinosaurs, and velociraptors. Eventually, the island is engulfed in fire, and Alan, Ian, and Claire escape in a helicopter and decide that it really isn’t worth it to keep coming back to islands filled with dinosaurs.

Let’s Talk About What May Be The Ultimate Doomsday Weapon in ‘Indiana Jones And The Dial of Destiny’

After 12 long years, Indiana Jones is coming back to theaters for his final adventure in ‘Indiana Jones and the Dial of Destiny,’ the trailer for which was released a few days ago:

Jokes about Indy whipping kids off his lawn aside, part of the fun after seeing the trailer and reading Empire’s exclusive coverage of the upcoming film is theorizing about what’s going to happen. So far, this is what we know for sure:

*The film takes place in 1969

*The opening features Indy fighting Nazis in the 1940’s.

*Indy’s main adversary is a former Nazi

*Sallah is back

*Indy has a goddaughter

Beyond that though, everything is up for grabs. But after a few days of thinking and brainstorming, I think I might have an idea about what will happen in the film… and if it turns out to be true, then Indy will face his single greatest challenge of his life, and find the fate of Earth in his hands.

To begin with, let’s start with a very interesting quote from Empire Magazine regarding Indy’s nemesis, Jürgen Voller:

“He’s a man who would like to correct some of the mistakes of the past,” teases Mikkelsen of Voller. “There is something that could make the world a much better place to live in. He would love to get his hands on it. Indiana Jones wants to get his hands on it as well. And so, we have a story.”

Considering how the film has long been rumored to feature time travel, this quote seemingly all but confirms that it will be present in some form: After all, what would an ex-Nazi love more than the chance to go back in time and use more modern technology and advancements to give the Nazis what they need to win World War 2?

There’s another hint that this might happen: Empire’s magazine features a special subscribers-only cover featuring artwork inspired by the film. Looking at the picture and Indy’s body language makes me think of a man who is baffled at seeing something beyond his comprehension, like someone who has been transported from his own time to another (notice how Indy’s hair is dark, not white). Perhaps Indy’s watching New York City be morphed into something different; maybe that light is some sort of cosmic wave washing over New York and morphing it into an alternate version of itself due to messing with time?

There is, however, a far more sinister interpretation: What if the light doesn’t represent some sort of time-warping wave, but the Sun Gun? For those who don’t know, the Sun Gun is a hypothetical superweapon that the Nazis were researching as early as the 1920’s. To quote Wikipedia:

“The scientists calculated that a huge reflector, made of metallic sodium and with an area of 9 square kilometres (900 ha; 3.5 sq mi), could produce enough focused heat to make an ocean boil or burn a city. After being questioned by officers of the United States, the Germans claimed that the sun gun could be completed within 50 or 100 years.”

If Voller really wanted to help the Nazis turn the tide of the war, what better way to do it than by spending 24 years researching rocketry, technology, and weapons, and then using time travel to go back and give that research to Nazi scientists, who could then use rocket technology of the 1960’s to leap ahead of the Allies, construct the sun gun, and use it to incinerate Allied cities, armies, and fleets? Nowhere on Earth would be safe, and there would be nothing the Allies could do to stop the Nazis. It’s conceivable that what we’re seeing on Empire’s cover is the power of the sun being used to incinerate Manhattan with Indy watching on, helpless to stop it… unless he uses time travel to make sure the gun is never made.

Of course, this is all speculation, and we’ll have to wait until June 30th of next year to find out if the theory is true or not. In the meantime, here are a few other thoughts:

*What if the train that Indy rides in the 1940’s is the fabled Nazi gold train? He might find something of great importance on it, including research into time travel, or the dial itself. The train appears to be very well-guarded, suggesting that there’s something very valuable on it.

*If Indy does time-travel to a version of a world ruled by Nazis, it’s conceivable that he’ll run into Hitler again, giving him a second chance to either punch him or shoot him. After all, if he restores the timeline, then Hitler will die as he does historically, giving us two Hitler deaths for the price of one!

*Speaking of time travel, if it is involved, we’re likely to see Del Glocke, another Nazi superweapon that will likely be used as a power source, or as a way to find and retrieve the Dial of Destiny.

*Time travel may seem like a cheesy gimmick, but since this is Indy’s last adventure, I think it can be used well if handled carefully: As he nears his 80’s, Indy is seen as an old relic from a different time, someone who has no real place in the modern world. But thanks to his efforts, he manages to save everyone, and can walk off into the sunset knowing that he literally saved the world from being taken over by the Nazis. If you’re looking for a perfect ending for one of the most famous cinematic heroes of all time, it’s hard to top that.

What we can learn from ‘Halloween 60’

With Michael Myers’ return to the big screen only three days away, it seemed fitting to take a look at… well, a ‘Halloween’ film that hasn’t happened yet, and probably never will (though with Hollywood’s history with sequels, it’s not out of the question).

‘Halloween 60’, a parody trailer by Fuzz on the Lens, imagines an 81 year old Michael Myers breaking out of prison – again – in 2038 and heading out to kill Laurie. Although it’s a parody trailer, there’s still quite a few goodies and tidbits for writers to learn from, so let’s take a look at at what that lovable goofball Myers is up to twenty years from now.

Consider showing what happens when homicidal killers grow old

If there’s one thing we rarely see in horror films, it’s homicidal senior citizens. Plotting, scheming, elderly masterminds? Yes. Evil dictators and politicians? Totally believable. Axe/knife/chainsaw wielding murderers? Not so much. Considering how our bodies inevitably decay with old age, the idea of an 80 year old going after teenagers is laughable, since it’s easy to imagine those teenagers just kicking away his walking stick and having him break a hip when hitting the ground.

However, there are always exceptions to every rule: For every crippled old man in a wheelchair, we have a Jack LaLanne, Sylvester Stallone, or any number of older people who don’t let age stop them from being fit, and in an era where more and more people than ever work to keep themselves healthy in old age, the idea of an axe murder collecting social security checks isn’t as far-fetched as it used to be. Choosing an older person as a killer offers some unique traits you can’t get with a 20 or 30 year old: an older killer will be more entrenched in their evil ways (and less likely to be redeemed),  be deeply set in the local community to avoid drawing suspicion to themselves, and even have numerous sidekicks who can help him/her carry out their vile work. Even having them be physically weaker can make battles more interesting, as they’ll have to be more clever than the protagonists to compensate for reduced strength, relying on wits and fooling their prey rather than endless stamina.

Consider showing what happens when homicidal killers grow old… and play it for laughs

With all that said, it’s still hilarious to see an 80 year old heading out to kill youngsters. Despite his formidable determination, poor Michael:

*Uses a cane to hobble around

*Drops his dentures to frighten people

*Takes viagra

*Gets crippling back pain after being bumped by children

*Can’t keep a grip on his knife

*Uses oxygen

*Has a heart attack and uses LifeAlert to call for help.

Even Laurie – determined to end Michael once and for all – has to get around with a walker. In short, the trailer relishes in the fish-out-of-water comedy trope of taking near-mythical characters and having them suddenly deal with everyday problems… in this case, old age. Just imagine Darth Vader having to fight Jedi Knights as a 90 year old in a wheelchair, or Leatherface trying to chase down and carve up teenagers when he doesn’t even have the strength to lift a chainsaw over his head, yet still trying with all their might to make it happen. This can also have the bonus of making them laughably ineffectual villains, leaving us feel sorry for them for them, even as we laugh.

The Takeaway

Consider having your evil mass-murder be a senior citizen instead of a fit, young person; while a bit far-fetched, it can offer the chance to write a more interesting character who has more interesting ways of killing people beyond hacking and slashing, but at the same time, don’t be afraid to poke fun at the inherently silly concept of an old and weak killer trying his best to kill people.