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Favorite Moments: It’s a Giraffe!

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We all have our favorite moments in movies, books, and games, moments that stay with us long after the story is over. This column is my attempt to examine my favorite moments and see why they stick with me.

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The video:

Why it’s great:

It takes one of the greatest film moments of the 1990’s and gives Alan Grant the voice of Patrick Starfish. That’s all you need to know.

…

Okay, maybe a more detailed explanation is in order. I adore how taking the audio from an episode of Spongebob Squarepants changes the mood and feel of such an emotional scene by making it comedic. It’s probably a cosmic law that adding circus music to anything makes it funnier, no matter how dramatic, heartwarming, or awe-inspiring it is, a law I’d love to explore and see if it’s true or not. But until then, I’ll continue chuckling at Dr. Grant acting like an over-excited starfish.

What we can learn from: ‘Ring One’

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One of the greatest pleasures of our digital age is how easy it’s become for fans to create crossovers of their favorite franchises and play around with all manner of ‘what if?’ scenarios. Most of these revolve around characters and factions from different franchises fighting each other, but every so often, we get a crossover that tries something a little different.

This mashup of ‘The Return of the King’ and ‘Rogue One’ sounds like it would focus on, say, the Fellowship of the Ring infiltrating Scarif to steal the Death Star plans (Oh, how I would love to see Legolas taking out stormtroopers with his arrows), but  ‘Ring One’ tries something we don’t see very often in these mashups: Tragedy.

While it’s fun to imagine the Empire and the free people of Middle Earth fighting one another, and our heroes saving Middle-Earth, this mashup shows how it would really go: Everyone would die. Frodo, Gandalf, Aragorn, Sauron, and everyone else are obliterated by the Death Star. Yet, while such a situation can be depressing, ‘Ring One’ makes it a great example of the ‘Face Death with Dignity‘ trope. We’re so used to seeing characters be brave and courageous when facing impossible odds in everyday life, but what happens when they face their inevitable deaths? Are they still brave and courageous? Do they try to flee, even when it’s hopeless? Do they pray? Do they try to comfort others?

For writers, having our characters know they’re going to die is a fantastic way to see their deepest qualities, to find out who they really are when they face the end. Here, Frodo still tries to get to the Crack of Doom, Sam spends his final moments of life trying to comfort him, and Gimil and Legolas finally reconcile from their trilogy-long distrust of each other.

Is it sad to see the Fellowship all die? Yes. But it’s beautiful in a bittersweet way: some of fiction’s most memorable moments occur only at the end of a character’s life, moments that can stay with us like nothing else can. We remember those who give their lives to save others, who spend their final minute trying to comfort someone else, or refuse to give in to fear. When you bring your character’s stories to a close, you have a chance to give them one final, shining moment of glory. Take advantage of that, and you’ll give your audience a moment that will stay with them forever.

Favorite Moments: ‘Let’s do this!’

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We all have our favorite moments in movies, books, and games, moments that stay with us long after the story is over. This column is my attempt to examine my favorite moments and see why they stick with me.

***

The Video

‘Super Best Sisters Play – Shadow the Hedgehog’ (skip to 6:57)

Why it’s Great

Ah, the good old fashioned showdown: the protagonist/s and antagonist/s all gather together for one, last, decisive fight to see which side will be victorious. It’s a no-holds-barred beatdown, where no quarter is given, and none is expected. It will be bloody. It will be vicious. It will be cruel.

Unless it isn’t.

In this animated playthrough of ‘Shadow the Hedgehog’, we get a showdown between cute cartoon characters in prison, with their respective tough guy leaders readying for a fight, finally ending with two sides readying to unleash the pain… and then Shadow and his arch-nemesis just stand around for a few seconds before bouncing off each other in the most anti-climactic way possible, followed by almost everyone bouncing around as bright, colorful balls instead of stabbing each other as we expected.

What’s so effective about this scene is how the buildup is used for comedic effect: it makes the viewer  think they’re going to get an awesome fight, only to have it dissolve into a wimp battle that couldn’t be sillier if it tried. Comedy gold.

What we can learn from ‘The Ultimate Showdown of Ultimate Destiny’

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https://youtu.be/4WgT9gy4zQA

 

There’s one question that has dogged mankind since the moment we could walk upright, form languages, and come into contact with other cultures, a question that every nerd, writer, and child asks at one point in their lives: Who would win if __________ and __________ got into a fight?

There’s no denying how cool it is to see two characters from different franchises, eras, and universes fight it out for dominance, survival, and bragging rights. Admit it: When you were a kid, you loved having all your toys fight one another for no other reason than it was fun. I did; granted, most of my toys opponents tended to be dinosaurs, but it was great. But as we grew up, such questions become relegated to fan fictions or our imaginations as we put our toys away.

Then, come 2005, an animation was posted on NewGrounds that changed Internet culture forever.

I don’t remember when I first saw ‘Showdown,’ but it hooked me from my very first viewing. Here it was, a showdown featuring dozens of pop culture characters duking it out for no other reason that it was cool, set to the beats of a disturbingly catchy song. Now, 13 years later, that song is still as catchy as ever, but what’s great is knowing that this song and video were, at one point, the peak of crossovers, long before the Avengers and cinematic shared universes came into our culture outside of comic books. In a way, this is the precursors to all those things, and though it wasn’t the first, it’s one of the most important.

Though short, this song and music video offers some valuable lessons for those of us who want to write our own crossover fights:

If logic is no object, then nothing is off the table in a crossover

How can Shaq take on Godzilla? Where did all the good and bad guys come from when they started fighting in Tokyo? How can an ordinary human deflect bullets with his hand? Such logic isn’t needed to enjoy the sight of so many characters fighting each other: One part of crossovers that makes them so special is how rare and unique they are. Remember how excited everyone was when Marvel’s ‘The Avengers’ was first announced and then released? It was a once-in-a-decade event and was so exciting because a movie crossover involving so many characters from different films, all fighting together for the very first time in Hollywood history. While we’ve gotten three more such superteam crossovers (soon to be four), ‘The Avengers’ was so memorable that we were willing to accept any flaws or cliches the film had (ragtag group of different individuals fighting amongst each other – literally – before coming together to fight a common enemy), and ‘Showdown’ is the same. It’s so cool to see all these characters fighting that logic is temporarily thrown out the window.

Consider having a good guy fight to save others even during a free-for-all

In a blink-and-you’ll-miss-it moment in the video, Optimus Prime rushes in to stop a skyscraper from falling after Godzilla hits it with his tail. Though this moment costs him his head, it speaks volumes about Optimus’ character, in that in the middle of a battle to the death between every fictional character, he stops to try and save innocent lives. Doing a similar act for your own fights is a great way to show that someone really is a hero who puts others ahead of themselves.

Consider the pros and cons of focusing on a small group of main characters in a free-for-all

Every story needs a main character that the audience can focus on or follow, and free-for-all battles are no exception. Here, the protagonists are Batman, Abraham Lincoln, Shaq, and Jackie Chan, and most of the video focuses on them. However, consider changing up the roster of secondary characters as your story goes on; while it’s cool seeing Abraham Lincoln wielding an assault rifle, a machete, and go pole-vaulting to try and take on a shape-shifting robot from outer space, I can’t help but feel it would be cooler to have other characters come in during the song’s second act to shine, even if only for a few seconds each. Who wouldn’t want to see, say, Spider-Man running around with a machete, or Solid Snake pole-vaulting into Optimus? Part of the charm of these giant fights is seeing a large group of characters fight, so it’s smart to give everyone time to shine, no matter who they are.

Consider including a character so powerful that it requires others putting aside their differences and teaming up to defeat them

He only does two things in the song (kick Indiana Jones in the crotch and kill Batman), but Chuck Norris’ appearance marks him as the most powerful and badass character in ‘Ultimate’ He’s so powerful, in fact, that it takes the combined might of over 20 other characters to take him down in the bloodiest battle that the world ever saw. And even cooler, most of them would be mortal enemies outside of ‘Ultimate’; where else would you see every single Power Ranger fighting alongside Darth Vader and Benito Mussolini?

The advantage of bringing in uber-powerful characters into your story is that they immediately dominate the battlefield, forcing other characters to to put aside their differences, even if only for a few moments, to work together for their own survival, giving you a unique opportunity to have characters who would never otherwise tolerate each other be forced to do so, leading to moments that are either awesome, funny, or a mix of both as they interact and play off each other.

Consider making the survivor/winner of your big fight an unknown who isn’t a fighter

Just who would win in a winner takes all fight of pop culture characters? Depending on who you ask, there’s an infinite number of possible victors, ranging from the strongest, the fastest, smartest, or the most clever. ‘Ultimate’ bucks that trend by having the victor not be a muscle-bound warrior, a magical wizard, or a dictator, but Fred Rogers, host of ‘Mr. Rogers’ Neighborhood’.

What’s great about this ending is that the victor of such a bloody battle isn’t even a warrior, but a kind, gentle man who, by all accounts, never raised his voice or said anything unkind about anyone. It’s unexpected, it’s novel, and even heartwarming to see someone opposed to violence standing as the greatest character in pop culture, and mourning all those who perished (though, personally, I think the seppuku was going a bit too far).

The Takeaway

When doing an incredibly awesome crossover that involves lots of fighting, you have more leeway to break the laws of physics or logic in order to get something cool. Consider following a core group of characters, but remember that your audience will want to see everyone get a moment to shine, especially when dozens of them have to team up to take down a particularly powerful character, and to see good guys/gals doing little deeds to try and help others, even at the cost of their own personal safety. And when it comes to endings, consider having someone unexpected win, instead of the most popular character.

What we can learn from ‘Halloween 60’

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With Michael Myers’ return to the big screen only three days away, it seemed fitting to take a look at… well, a ‘Halloween’ film that hasn’t happened yet, and probably never will (though with Hollywood’s history with sequels, it’s not out of the question).

‘Halloween 60’, a parody trailer by Fuzz on the Lens, imagines an 81 year old Michael Myers breaking out of prison – again – in 2038 and heading out to kill Laurie. Although it’s a parody trailer, there’s still quite a few goodies and tidbits for writers to learn from, so let’s take a look at at what that lovable goofball Myers is up to twenty years from now.

Consider showing what happens when homicidal killers grow old

If there’s one thing we rarely see in horror films, it’s homicidal senior citizens. Plotting, scheming, elderly masterminds? Yes. Evil dictators and politicians? Totally believable. Axe/knife/chainsaw wielding murderers? Not so much. Considering how our bodies inevitably decay with old age, the idea of an 80 year old going after teenagers is laughable, since it’s easy to imagine those teenagers just kicking away his walking stick and having him break a hip when hitting the ground.

However, there are always exceptions to every rule: For every crippled old man in a wheelchair, we have a Jack LaLanne, Sylvester Stallone, or any number of older people who don’t let age stop them from being fit, and in an era where more and more people than ever work to keep themselves healthy in old age, the idea of an axe murder collecting social security checks isn’t as far-fetched as it used to be. Choosing an older person as a killer offers some unique traits you can’t get with a 20 or 30 year old: an older killer will be more entrenched in their evil ways (and less likely to be redeemed),  be deeply set in the local community to avoid drawing suspicion to themselves, and even have numerous sidekicks who can help him/her carry out their vile work. Even having them be physically weaker can make battles more interesting, as they’ll have to be more clever than the protagonists to compensate for reduced strength, relying on wits and fooling their prey rather than endless stamina.

Consider showing what happens when homicidal killers grow old… and play it for laughs

With all that said, it’s still hilarious to see an 80 year old heading out to kill youngsters. Despite his formidable determination, poor Michael:

*Uses a cane to hobble around

*Drops his dentures to frighten people

*Takes viagra

*Gets crippling back pain after being bumped by children

*Can’t keep a grip on his knife

*Uses oxygen

*Has a heart attack and uses LifeAlert to call for help.

Even Laurie – determined to end Michael once and for all – has to get around with a walker. In short, the trailer relishes in the fish-out-of-water comedy trope of taking near-mythical characters and having them suddenly deal with everyday problems… in this case, old age. Just imagine Darth Vader having to fight Jedi Knights as a 90 year old in a wheelchair, or Leatherface trying to chase down and carve up teenagers when he doesn’t even have the strength to lift a chainsaw over his head, yet still trying with all their might to make it happen. This can also have the bonus of making them laughably ineffectual villains, leaving us feel sorry for them for them, even as we laugh.

The Takeaway

Consider having your evil mass-murder be a senior citizen instead of a fit, young person; while a bit far-fetched, it can offer the chance to write a more interesting character who has more interesting ways of killing people beyond hacking and slashing, but at the same time, don’t be afraid to poke fun at the inherently silly concept of an old and weak killer trying his best to kill people.