How To Make ‘Aliens’ Even Better

Ever since the release of ‘Aliens’ back in 1986, it’s been hailed as one of the greatest sci-fi action horror films of all time, as well as one of the greatest sequels ever. While I agree with both sentiments, I still prefer the original, 1979 ‘Alien’. Where ‘Aliens’ is about highly-trained warriors taking on a threat they can kill, ‘Alien’ is about everyday people struggling to defeat an opponent who’s stronger than them, faster than them, and can kill them in an instant. ‘Aliens’ has a stronger focus on action, while ‘Alien’ has a better formula for horror.

Recently, that got me thinking: What would ‘Aliens’ look like if we were to, say, take away all the marines, guns and military-grade equipment?

In this parallel universe, ‘Alien’ ends with Ripley, Parker, Lambert, and Jones escaping the Nostromo, which explodes and kills the Xenomorph. Sixty years later, the three survivors are woken by the escape shuttle’s computer detecting a nearby colony. Ripley and the others set down on the planet, only to discover that the colony is in ruins. Sneaking inside, Ripley, Parker, and Lambert (Jones remains on the parked shuttle) find Newt and realize that the colony has been overrun by Xenomorphs. Needless to say, the group tries to get back into space to avoid facing any more penis-monsters from beyond the stars, but the shuttle is overrun by said penis-monsters. While they just barely manage to rescue Jones, the shuttle is rendered inoperable via acid blood, stranding Ripley and the others on the planet.

Lambert, predictably, freaks out. Parker’s not happy, either, but Ripley manages to calm them down: if they can use the colony’s communications grid to call for help, they can then hunker down and wait for a rescue, as Newt managed to survive on her own without any training. But due to damage to the colony’s atmosphere processing unit, power is out throughout the complex. Parker and Lambert jury-rig the system to let them send off a single broadcast, and then all they can do is survive until help arrives. But as in the original film, the processing unit begins to melt down, and without any means of escaping into space, everyone will be forced to flee into the inhospitable wilderness of LV-426 and fend off any Xenomorphs that come after them.

Would Ripley and the others be able to survive? Would they be able to drive far enough away from the plant before it explodes? Would they be able to last months before help arrives? And, most importantly, would they be able to discover why kids like the taste of Cinnamon Toast Crunch? I’ll leave that up to you, but this thought experiment changes the tone and feel of the movie completely: by replacing marines and their weapons with untrained civilians, ‘Aliens’ becomes a more frightening movie because surviving becomes so much harder without smartguns, pulse rifles, and APCs. Ripley and her friends would have to scavenge whatever equipment they could find and improvise in order to fight for survival. And where they had to only face one alien last time, now they have to face dozens, if not hundreds. Survival is still a possibility, but much less likely.

The bottom line from this thought experiment? Untrained, unprepared, everyday people are almost always the best protagonists to have in horror movies, as the fight to survive will feel more authentic than if our protagonists are highly-trained, testosterone-filled, well-armed soldiers. Take away the big, powerful guns, the body armor, the apcs, grenades, missiles, and fighter craft, and you’re no longer the alpha predator; you’re prey, and your fight to survive will be all the more intense.

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