Ever since it’s release in 1980, ‘The Shining’ has kept viewers guessing for decades about it’s various secrets, including exactly what is going on with the Overlook Hotel itself. The film strongly hints – and the sequel, ‘Doctor Sleep’, all but confirms – that the building itself has a sort of consciousness that forces the ghosts of the hotel to do its bidding and absorb more souls into its haunted walls. And this hotel is an example of the most frightening kind of evil, one that is patient, biding its time as it watches it victims, learns about them, discovers their weakness, and slowly applies pressure to make them give in to their worst impulses without them realizing it, eventually becoming permanent guests in the time-warp that is the Overlook Hotel.
But like all great horror stories, ‘The Shining,’ never reveals what the Overlook’s malevolent self looks like. It is always out of sight, always hidden, and never seen..
But what if the Overlook’s dark core has been hiding in plain sight?
In the 2019 adaptation of ‘Doctor Sleep,’ a grown-up Danny Torrance returns to the rotting remains of the Overlook. What follows is a nostalgic tour of the hotel’s many iconic areas in a state of disrepair, including the Gold Room, where Danny has a ghostly reunion with his father. And while the film rightfully focuses entirely on the talk between father and son, there’s something about this scene that isn’t noticeable unless you’re paying very close attention to the background. Specifically, this shot:
Notice those lamps in the background? They look like mouths. Gaping maws of darkness with the bright, glowing, featureless eyes above them. This, I believe, is the true face of the evil haunting the Overlook, a gaping maw and inhuman eyes, ready to suck in anyone it can get, and they’ve always been there. Compare that shot to the original film:
Notice how in both films, neither Jack or Danny notice these faces. But Lloyd does, and so does Jack when he’s behind the counter in ‘Doctor Sleep.’ How can you tell? Look at their eyelines.
It’s as if they’re silently watching their demonic master before turning their attention back to the latest slave the Overlook wants to add to its collection. And it’s not just the gold room; these lights can be seen throughout the film: the very first time we see Jack, the hotel is watching him.
It watches Jack when he’s working on his book:
Or when Danny is riding his bike:
Or when Rose walks through its halls decades later:
But that’s not all: there are moments when these lights are not lit, like when Wendy is walking around:
The lights aren’t lit because the Overlook isn’t interested in Wendy. It wants Jack and Danny, not her, so it doesn’t bother watching her. Likewise, when Dick arrives at the Overlook and looks for the Torrances, the lights aren’t on; he doesn’t see them:
Yet, moments after he dies, the lights are on, watching Jack, encouraging him to continue his rampage:
Of course, this is just a theory. But perhaps the Overlook has been staring at us for decades; we just never saw it.