Three Fridays: A Comparison of ‘Friday the 13th’ – Part 3

Four months ago, I had no interest in the Friday the 13th series. Yes, I had seen ‘Freddy vs Jason’ on a whim, and I knew that Jason was a near-invincible zombie killer who had slaughtered hundreds of horny teenagers over the years, but that was the extent of my knowledge and interest in his movies. But as I mentioned in my overview of the 1980 movie, I came across a fan-made adaptation of said film. Out of curiosity, I gave it a try, and was hooked, making me curious to see how it compared to the film and the 2009 remake. Today, we’re going to take a look a this adaptation: A fan comic re-imagening the events of ‘Friday the 13th’:

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Click here to read the comic

This comic, created by artist David Hopkins – a furry artist best known for his long running web comic, ‘Jack’ – immediately stands out because the cast are no longer human, but anthropomorphic animals. But don’t let the sight of cute cartoon animals in people clothes fool you: This is easily the bloodiest take on the original ‘Friday’ story. Much like the 1980 movie, the comic tells the origin story of Jason Voorhees and his mother. And, like the best remakes, it takes the original story and reinterprets it in interesting ways. Here, there’s no twenty-year gap between Jason’s death and his mother’s rampage, and unlike the 1980 and 2009 films, where Jason only pops up after Pamela is killed, both of them work together throughout the story to kill counselors, acting like a ghoulish version of Bonnie and Clyde. The other, most significant addition to this take on the story is it’s religious tone: While Jason’s survival was unexplained in the original film, his resurrection here is due to Pamela making a deal with the devil to bring him back to life (in a smart move, the devil is never heard or seen, making him an unseen menace).

The compressed timeline and supernatural elements gives this version of ‘Friday’ refreshingly different from the original, but what elevates it above being a simple slasher story is how most of its focus is on Pamela Voorhees. While she infamously only appeared in the final act of the original film without any foreshadowing, the comic makes her the main character instead of the counselors, letting us learn much more about her: In this interpretation, Pamela is a former member of a group of devil worshippers who eventually left and became a Christian, who then suffers from a horrific crisis of faith when Jason dies, and then backsliding when her pleas to God to bring Jason back aren’t answered.

This expanded focus on Pamela turns her from an already compelling and relatable character into a complex, fascinating individual who is bloodthirsty and ruthless, deeply loving, misguided, and even regretful about what she’s done. It’s easy to understand and related to her pain and goals for vengeance, even as she kills innocent counselors in truly horrific ways.

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Yet, despite all the horror and the gore here, there’s a strong undercurrent of innocence and tragedy here: there are no true villains in the story, only victims. Yes, Pamela stabs, burns, impales, and disembowels teenagers, but only to bring her son back, and ensure that no other children will die from the counselor’s stupidity. The counselors, while having severe lapses in judgement, aren’t evil and care about the kids under their care. Jason becomes a killer, but only at his mother’s urging. And in the end, Pamela has a moment of clarity about what she’s done, but dies and is damned. Jason loses his mother, and Alice is left shell-shocked and a nervous wreck. No one wins, and everyone suffers, turning ‘Friday’ into a tragedy of poor choices, suffering, and loss… but, you know, with cartoon animals!

While I prefer this comic over the 1980 and 2009 films, it does have a few missteps: At one point, Pamela tells Jason that they can kill everyone in the world, which doesn’t make much sense for a woman who initially only wanted to leave Crystal Lake with Jason, and then wanted to get revenge on a specific group of individuals for letting Jason die. Pamela’s famous scene, where she seems to channel Jason while trying to kill Alice doesn’t make any sense here: the film implied that Pamela was losing her mind, but in the comic Jason is right outside the building, making the line and Pamela’s seeming possession unnecessary and confusing.

Still, despite these missteps, this adaptation of ‘Friday’ elevates itself above standard slasher fare by focusing on Pamela and giving her a depth and richness that the films haven’t. Coupled with the grotesque, bloody kills, tight focus, and good pacing, this re-imagining of Jason’s origins is, in my opinion, the best of the three ‘Friday’ origin stories. If you’re looking for a slasher story with an uncommon depth, or a great ‘Friday’ tale, this will easily satisfy that need.

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Now that we’ve taken a look at all three of Jason’s origin stories, all that remains is to done final summary of them all and see what lessons they offer for the writer, a task we’ll dive into next week.

If you’d like to see more of David Hopkins’ work, you can visit his Furaffinity page here. If you’d like to read his JACK webcomic, you can do so here.

(All art on this page is posted with permission from Mr. Hopkins)

What we can learn from ‘Sarah Conner vs. Jason Vorhees’

Ever since his first appearance as a masked killer in the 1981 film ‘Friday the 13th Part 2,’ Jason Vorhees has become the poster child for slashers who take out horny teenagers as brutally (and creatively) as possible. Being such a staple of pop culture, it was inevitable that he’d eventually face off against other pop icons, the most famous being a fight against Freddy Kruger in 2003’s ‘Freddy vs Jason.’ But many of these fights have taken place in fan videos, featuring Michael Myers, Pennywise the Clown, Leatherface, and even Barney the Dinosaur. Today, we’re taking a look at what would happen if Jason Vorhees took on one of the toughest women in cinema: Sarah Conner from ‘Terminator 2: Judgement Day,’ courtesy of Youtube creators WTFLOL

Having a plausible explanation as to why two characters are fighting makes it easier to accept such a fight

When most pop culture characters fight, plot usually comes second to seeing them duking it out. But having a strong reason why two different characters from two different universes are fighting each other makes said fights easier to accept. ‘Conner vs. Jason’ has a particularly good one: Sarah, while en-route to foil Cyberdyne yet again, has car trouble and breaks down near Camp Crystal Lake. While searching for help, she comes across helpless campers being slaughtered by Jason, and rushes in to help. Not only is this a plausible way for the two to meet up, but it also helps us root for Sarah by showing how she doesn’t hesitate to help others in trouble, even if she doesn’t know them.

In our own stories, it’s a good idea to set up the fight in a way that feels logical. While it’s tempting to throw your two (or more) duelists together as quickly as possible, setting up why they’re fighting will make your story more believable, and tell your audience that you’ve thought this out beyond the standard, ‘Hey, wouldn’t it be awesome if ______ and ______ fought each other!?”

Consider limiting how much of your intercontinuity fight doesn’t revolve around the title characters fighting

Perhaps more than any other type of story, your audience knows exactly what they want when they see a duel film (watching the title characters fighting each other). They won’t be interested in anything else that doesn’t lead up or add to those moments. Thankfully, ‘Conner vs. Jason’ smartly limits those scenes to Sarah going to Crystal Lake, and the camp’s campers being killed off by Jason in quick order, knowing that audiences don’t have any interest in the campers being developed when they’re only going to be killed off.

In our own stories, while some buildup and setting the scene is always necessary, cutting out everything that isn’t necessary to set things up, or that doesn’t relate directly to two famous characters fighting is a good idea; our audience will thank us for getting to what they came to see in a quick and timely manner.

Consider having the nerd help save the day

Pity the poor nerd: this unfortunate character continues to be relentlessly mocked in pop culture, portrayed as being wimps, cowards, and having zero social skills. Yet, don’t underestimate them: while the nerd in ‘Conner vs. Jason’ first comes off as the stereotypical game-obsessed dweeb, he quickly comes through by using his smarts to tell Sarah about Jason’s only weakness, and risks his own life to lure Jason towards said weakness at great risk to himself (and saving Sarah in the process).

While it’s easy to use the nerd as an easy source of humor and comic relief, it’s much better to have them have hidden depths: Nerds may have a love of all things video games, movies, anime, and cartoons, but they’re still people with weaknesses and strengths, and showing those, whether it’s bravery, strength, or resourcefulness will help make them memorable.

Consider poking fun at a character’s mythology in your crossover fight

Little moments of humor can often be the most memorable parts of any story, and in a crossover fight – where drama and strict adherence to the rules of either universe are put aside for the sake of awesomeness – poking fun at both story’s mythologies can make funny moments even funnier: my favorite here comes when the nerd loudly yells about smoking and having lots of premarital sex with naked women, causing Jason to immediately ignore Sarah and head after the nerd. Another has the Terminator, after blowing Jason to pieces, saying his classic trademark about how he’ll be back. Is it cheesy? Yes, but it’s funny, and a good reminder on that we watch these crossovers to see how awesome they are; having some humor – even if it’s slightly out of character – only makes a fun experience even more enjoyable.

Avoid having someone come in and steal a victory at the end of a crossover fight

While having the Terminator suddenly show up to save the day at the end of the video is undeniably awesome (The Terminator vs Jason? Heck yeah!), it does have the unfortunate effect of making the whole ‘Sarah vs. Jason’ fight somewhat pointless, as neither of them determine the outcome. While it’s common for crossover fights to end in a draw (so as to not offend fans of either character by having them be defeated), having neither side winning, or having both off each other, having a third party arrive and end the fight by themselves feels like a cop out. Even Freddy vs Jason made this error by having one of the teens decapitate Freddy at the climax of the big fight, instead of Jason.

When writing our own crossover fights, having them end because of the results of the fighter’s efforts – instead of an outside force – will avoid the feeling of the fighters and the audience being cheated out of a fair match. If you must bring in a third party, foreshadow it before the fight, or at the very beginning (such as how Sarah Conner helps Pops during the Terminator vs Terminator duel in ‘Terminator: Genysis’), but still avoid it if you can.

An Alternate Universe version of ‘Sarah Conner vs. Jason Vorhees’ that learned from its mistakes

While en-route to take out a subdivision of Cyberdyne, Sarah Conner’s car breaks down outside Camp Crystal Lake. Setting out to search for help, she hears helpless campers being slaughtered and runs to help. While she’s too late to save everyone, she does save one nerd from Jason. The two quickly hatch a plan to lure Jason to the camp’s lake, eventually managing to get them there, thanks to the nerd’s smarts, and Sarah’s combat skills.

However, when trying to knock Jason into the water, Sarah – injured from her fight – runs out of ammo for her weapons. Using herself as a battering ram, she tackles Jason, managing to shove him into the water.

The nerd anxiously tries to decide whether he should jump in after Sarah to save her. Then she appears: Injured and bleeding badly, but alive. With Jason defeated and trapped at the bottom of the lake, the nerd helps her back to the camp’s main building to patch her up and call for help. Along the way, he asks if she’s interested in a date, to which she replies that he’d better not hold his breath.

Perfect Moments: My favorite Christmas Moment

Because of the Christmas holiday, I’ll be taking a break from posting until January 3rd. But before then, I’d like to share my favorite piece of Christmas related media. It’s not a movie or a TV special, but – of all things – a commercial for Directv.

While Christmas traditions revolve around giving gifts, celebrating the birth of Jesus, and many festivities, the one aspect of the holiday that often gets overlooked is the wish for peace on earth, and goodwill to all.

Imagine a world where there’s no evil or war. A world where everyone – including villans – are at peace with themselves and each other. It’s a dream that only gets more beautiful the older I get… but one that I know will almost certainly never happen. But thanks to this silly commercial, we can have a glimpse of what such a paradise might look like, where Darth Vader, Jason Vorhees, Freddy Kruger, Dracula, The Mummy, Chucky, Hannibal, and the girl from ‘The Ring’ celebrate Christmas with an ordinary family.

Is it cheesy? Yes. Is it goofy? Oh heck yes. There are other movies and stories that are more emotional, more heartwarming, and that inspire us to be grateful for all the wonderful things in our lives, including our loved ones. But this commercial shows us a world where peace, love, and goodwill reign, and everyone – including the most despicable of people – have turned to the light, and that’s why it’s my favorite piece of Christmas media.

Well, that, and seeing this once-in-a-lifetime image:

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(GIF from this page)

May you all have a wonderful and heartwarming holiday season.

Favorite Moments: Jason Voorhees and Michael Myers, best friends forever!

We all have our favorite moments in movies, books, and games, moments that stay with us long after the story is over. This column is my attempt to examine my favorite moments and see why they stick with me.

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The video

‘Horror Friends Forever’

The Scene

Why it’s Great

Ask most people what would happen if two famous horror icons met, and most would probably say that they’d fight. This isn’t surprising, as watching two famous characters from different franchises fight each other is always going to be a treat. A quick Youtube search of Michel Myers and Jason Voorhees comes up with dozens, if not hundreds of videos of the two fighting it out in both live action, video games, and animation.

But while there’s an undeniable satisfaction in seeing two famous characters duking it out, we rarely get to see the opposite: Having them become best friends and going on adventures together. Robot Chicken’s video has them doing exactly that, and it’s a hoot.

What I like about this video – aside from the subversion of these two famous characters becoming friends instead of killing each other – is how it pokes fun of the standard ‘two people form a happy relationship and have lots of fun’ montage we see in films and TV shows: We get to see two bloodthirsty sociopaths happily cutting down people left and right to bright colors, relentlessly cheerful music, and even making best friend bracelets. It’s a classic example of contrasts: dark subject matter and bright and cheerful ambience. That, and it’s just fun to see these two having so much fun together, doing what they love.