Once in a while, you come across a moment in a story that is so perfect that it stays in with you for years, or even a lifetime. These are moments that, in my opinion, are flawless; perfect gems of storytelling that cannot be improved in any way, and are a joy to treasure and revisit again and again.
Please note that this is the ending to the 2013 film, ‘Enemy,’ and will spoil it if you haven’t seen the film, even though it’s… well, I really can’t talk about this scene without giving anything away.
Why it’s Perfect
Has your heart slowed down? Good.
As an arachnophobe, seeing a room-sized spider made me jump back when I first saw this. Making it so photo-realistic didn’t help, and neither does the fact that this thing screeches. It’s a fear-based screech, yes, but it’s still a giant spider screeching and scrunching up like its about to pounce and staring at you with soulless eyes AAAAAAAAAAAAAAAARRRRRRRRRRRRRRRRRRRRRRRRRGGGGGGGGGGGGGG.
Okay… Well, giant-freaking spider aside, what I admire about this ending is that it’s a perfect jump scare. There’s no hints, none whatsoever, that Jake Gyllenhaal is about to encounter a room-sized tarantula that used to be his wife. There’s no creepy music, there’s no sudden silence, only a normal scene building up to what you think is going to be a tense conversation between Adam and his wife, and then BOOM BIG FREAKING SPIDER THAT’S ABOUT TO EAT YOU RUN RUN RUN SUPERMAN SAVE ME.
While jump scares don’t age well after you see them, the first time you watch them are some of the most intense and memorable moments of cinema. This spider certainly counts as one of the best.
We all have our favorite moments in movies, books, and games, moments that stay with us long after the story is over. This column is my attempt to examine my favorite moments and see why they stick with me.
Why it’s great:
Today, July 4th, marks the birth of the United States of America. While other sites, blogs, and series would post patriotic content including flag-waving, songs, and fireworks, I’ll use my liberty in a way that George Washington and the founding fathers would no doubt approve: videos of people shrieking that they’re giraffes while skiing in Colordao
Last week, we took a look at the two duels of ‘The Matrix Revolutions,’ the final film of the fabled sci-fi trilogy. But while it was the last movie (at least, to date, if rumors of a Morpheus-centered prequel ever come to fruition), there were two more Matrix video games released in 2005: ‘The Matrix Online’ (which is no longer playable), and ‘The Matrix: Path of Neo,’ which allows players to replay the events of the movies from Neo’s perspective.
Like all movie tie-in games, ‘Path’ modifies the events of the films to better suit the interactive nature of the medium, featuring far more action, gunplay, and fights, including all the major duels from the series. I was originally planning just to analyze at the Super Burly Brawl, but after taking a look at the game to refresh my memory, I found that there was one other duel that’s so bonkers that it’s easily the wackiest thing the series has ever created:
Neo vs Ant-Men
Emotional Context: In his quest to save humanity, Neo fights anthropomorphic ants in the depths of space.
Analysis: When you saw ‘The Matrix’ for the first time, did you ever imagine that lowly hacker Thomas Anderson – who helps his landlady take out her garbage – would one day fight giant ants in space? No? Well, neither did I, but thanks to ‘Path,’ we can now see that Neo’s true destiny was not to save humanity and the machines from a mutually destructive relationship, but to battle giant ants in the depths of the cosmos.
In all seriousness, what makes this duel stand out is just the sheer absurdity of the fact that Neo is fighting giant ants in space. Instead of a trench-coated program, an agent, or a police officer, he takes on giant insects who squeak and roar as they fight him. It’s like watching James Bond take on a homicidal clown inside a bathroom at the White House, or Harry Potter battling a tyrannosaurus rex at the bottom of the Marianas Trench.
Depending on what movie they’re watching, what book they’re reading, or what game they’re playing, audiences expect fights to be consistant with the universe of the story they’re watching. To have such an unexpected opponent grabs their attention because it’s new and unique, feeding the novelty of encountering the unexpected and keeping them interested, much like that one time Luke Skywalker fought a clone of Darth Vader who turned into a giant scorpion. (link contains language that is not safe for work)
Fun fact: In addition to the ants, Neo was originally also going to fight leprechauns in ‘Path,’ but they were deleted from the finished version. Shame; the universe is a darker, bleaker place having never seen the savior of humanity fight midgets shrieking about their gold and presumably attacking with rainbows.
The Super Burly Brawl (Path of Neo Edition)
Emotional Context: Neo battles Agent Smith to save humanity and the machines
Analysis: At first glance, the ‘Path’ adaptation of this fight is almost identical to the one seen in ‘Revolutions.’ But without counting the changes made for a more exiting gameplay experience (more fighting, extended arenas, etc.) the game makes one big change:
Neo wins the fight.
While the film version of the Super Burly Brawl was about Neo sacrificing himself to give both humanity and machines a chance at a brighter tomorrow, the game version is about punching Smith to death, culminating with Mega Smith – a Godzilla-sized version of the agent that Neo then punches to death before once again entering Smith and deleting him from the inside out, as he did in the first film, leading to peace between the machines and humanity, and a triumphant playing of Queen’s ‘We are the Champions.’
Much like how the various versions of ‘Friday the 13th’ allowed us to see threedifferentversions of the same story, ‘Path of Neo’ allows us to see two versions of the same fight. While the film version is about drama, death, and sacrifice, the game version is about action, good triumphing over evil, and fan service. The only mistake the fight makes is not showing what happened to Neo after deleting Smith for good (in any story, there needs to be some sort of resolution for the characters we’ve followed, even if it’s just a ‘we don’t know what happened to them, but they’re still out there, somewhere’ ending), but as a fan, it’s so satisfying to see Neo have the upper hand throughout, and making it so that he’s the one to ram Smith into the streets, instead of the other way around.
While this version of the Super Burly Brawl may not have the dramatic weight of its movie counterpart, it does satisfy the base urge to see the protagonist resoundingly defeat the antagonist in a fight where both are at the peak of their abilities. There’s always room for self-sacrifice in fiction, but sometimes it’s refreshing to embrace the classic trope of the protagonist defeating evil without dying in the process, and looking awesome while doing it. Or, as Youtube user LovecraftianToenail put it:
‘it takes a lot more maturity to have fun than to be GRIMDARK SERIOUS ABOUT EVERYTHING ALL THE TIME.’
And with that, we conclude our look at all the duels in the Matrix series. Come back next week, when we’re wrap things up and see what lessons we can learn from all these punches, kicks, and bullet-time shenanigans.